Markers “Sacred” and “Profane” in Cultural Achievements of the Festive Model of the Present
DOI:
https://doi.org/10.31318/2414-052x.4(41).2018.152162Keywords:
festivation, carnival, sacred, profane, pragmatic, cultural creation, inversionAbstract
The relevance of the study is to intensify the processes of marketing the culture as a kind of aesthetic mechanism of the daily artistic activity, which in one way or another is tangent to festival implications within the framework of media discourse, cultural cycles and festival practices. The cultural-dimensional measurements of the “sacred” and “profane” markers in the festive space, which is a significant area of modern culture, are researched. Maintaining the continuity of the individual elements of the traditional holiday, the festivation was transformed into a phenomenon of the artistic every day, reflecting the globalization and alterglobalization intentions.
The main objective of the study is to identify and analyze conceptual markers of “sacral” and “profane” in the development of a festival model of contemporary cultural space.
The methodology of the research. Phenomenological and dialectical research methods have been applied. Appeal to the dialectic of sacred and profane as a permanent sacralization of the reality of culture takes place in parallel with the inalienable process of desacralization of cultural space. The scientific novelty of the work. The ambivalent nature of the “sacred” and “profane” is understood as natural, since its key category of “intercity” migrates with a person throughout his life, posing a world-view collision, where the locus of the end of one automatically creates a space of encounter with another. This is a kind of transgression, the limit of the transition between permitted and unauthorized, possible and impossible, which is included in social life, and is at the same time violation of the border is not between the worlds of man and nature, but between the realms of the profane and the sacred.
Conclusion. The annihilation of the culture of everyday life, which is a model of a contemporary festivation, appraises itself as the latest rituals, sets out the intention of sacredness. There are secular religions, political realities Festive, which for a short time promise extremely large prospects, which are then folded down and remain only simulacular clicks of these models. The festivation, therefore, is marked by a marker of a new sacralism of the pragmatic type, in which traditional sacraments are devalued, focusing on the natural code as an escalation of the needs that tend to be oriented to a living-oriented vitality.
Downloads
References
Bakhtin, M. M. (1990). Creativity Francois Rabelais and folk culture of the Middle Ages and the Renaissance [Tvorchestvo Fransua Rable i narodnaya kultura srednevekovya i Renessansa]. Moscow: Hudozhestvennaja literatura, 543 p. [in Russian].
Berk, P. (2001). Popular culture in the early modern Europe [Populyarna kul’tura v rann’omodernij Yevropi]. Translated from English by T. Garashovich. Kyiv: UCKD, 376 p. [in Ukrainian].
Frazer, D. (1986). The Golden Branch [Zolotaya vetv]. Moscow: Politizdat, 703 p. [in Russian].
Freud, Z. (2012). Totem and Taboo [Totem i tabu]. Freud, Z. Beyond the Pleasure Principle. Totem and Taboo. The Ego and the Id. Civilization and Its Discontents [Po tu storonu printsipa naslazhdeniya. Totem i tabu. «Ya» i «Ono». Neudovletvorennost kulturoy]. Kharkov, Belgorod: Klub semeinogo dosuga, pp. 259–478 [in Russian].
Girard, R. (2000). Violence and the sacred [Nasilie i svyaschennoe]. Moscow: Novoe literaturnoe obozrenie, 400 p. [in Russian].
Guzman, D. S. (2004). Hero of everyday life: reflections of the philosopher [Geroj povsyakdennosti: rozdumy filosofa]. Translation from Spanish. Kyiv: Novyi Akropol, 117 p. [in Ukrainian].
Jenks, C. (2003). Transgression. Key Ideas. London: Routledge. 216 р. [in English].
Kanetti E. Masse und Macht [Massa i vlast’]. Translated from Deutsch L. Ionin. Moscow: Ad Marginem Press, 528 p. [in Russian].
Kashtanova, S. M. (2016). Transgression as a socio-philosophical concept [Transgressiya kak sotsialno-filosofskoe ponyatie]. Manuscript of Dissertation work for gaining the degree of the Candidate of philosopher Sciences: special 09.00.11 Social Philosophy Saint Petersburg State University, 203 p. [in Russian].
Kayua, R. (2007). Simulation and dizziness [Simulyatsiya i golovokruzhenie] Games and People [Igry i ljudi], аrticles and essays on sociology of culture. Moscow: OGI, рр. 103–119 [in Russian].
Khoruzhii S. S. (2005) Essays on synergistic anthropology [Ocherki sinergiinoi antropologii]. Moscow: Institut filosofii, teologii i istorii sviatogo Fomy, 408 p. [in Russian].
Mey, K. (2007). Art and Obscenity. New York: I. B. Tauris & Co Ltd. 168 р. [in English].
Nietzsche, F. (2011). The birth of the tragedy of the spirit of music [Rozhdenie tragedii iz duha muzyiki]. Nietzsche, F. Collected Works [Sobranie sochinenii], in 5 vol. Vol. 1. Saint Petersburg: Azbuka, Azbuka-Attikus, pp. 29–157 [in Russian].
Timofeeva, O. V. (2009). Introduction to the erotic philosophy of Georges Bataille [Vvedenie v eroticheskuyu filosofiyu Zhorzha Bataya]. Moscow: Novoe literaturnoe obozrenie, 200 p. [in Russian].
Zabiako, A. P. (1998). Sacral [Sakralnoe] Culturology. 20 century [Kul’turologija. XX vek]. Encyclopedia, in 2 vol., vol. 1. Saint Petersburg: Universitetskaja kniga; Ateleya, p. 185 [in Russian].
Downloads
Published
How to Cite
Issue
Section
License
Starting in July 2025, the copyright to the publication remains with the authors
Our journal abides by the CREATIVE COMMONS copyright rights and permissions for open access journals.
Authors, who are published in this journal, agree to the following conditions:
The authors reserve the right to authorship of the work and pass the first publication right of this work to the journal under the terms of a Creative Commons Attribution License, which allows others to freely distribute the published research with the obligatory reference to the authors of the original work and the first publication of the work in this journal.
The authors have the right to conclude separate supplement agreements that relate to non-exclusive work distribution in the form in which it has been published by the journal (for example, to upload the work to the online storage of the journal or publish it as part of a monograph), provided that the reference to the first publication of the work in this journal is included.

