Reception of traditional image of Don Juan in modern Ukrainian drama

Authors

DOI:

https://doi.org/10.15587/2313-8416.2016.84548

Keywords:

traditional plots and images, intertextuality, text, deconstruction, game

Abstract

In this paper the author explores the traditional plot and images (TPI) of Don Juan, representing in the play "Will chaste womanizer" by modern Ukrainian playwright Anatoliy Krym. It is considered the level of construction of traditional images and plots, features of postmodern poetics, intertextuality, irony and parody, game. Here the attention is paid to the meaning of the Text as a postmodern paradigm that defines the process of transformation of the traditional plots in a modern national literature

Author Biography

Marija Gutsol, Ivano-Frankivsk National Medical University of Ukraine Galytska str., 2, Ivano-Frankivsk, Ukraine, 276008

PhD, Associate professor, Head of Department

Department of linguistics

References

Volkov (2004). Traditional plots and images: Research. Chernivtsi: City, 445.

Nenadkevych, E. (2002). Ukrainian version of the World theme of Don Juan in historical and literary perspective. Don Juan in the world context. Kyiv: Fact, 7–40.

Gasset, J. O. (2012). Reflections on Don Quixote. Kyiv: Spirit and Letter, 216.

Krym, A. (2001). Chaste womanizer’s will: Plays. Kyiv: Ukr. Writer, 448.

Novokhatskiy, D. I. (2003). The servant of the owner? The main areas of interaction between images of Don Juan and his servant. Humanities, 166–170.

Shalahinov, B. R. (2004). Foreign literature from antiquity to the beginning of the XIX century. Historical and aesthetic essay. Kyiv: Academy, 222–262.

Nyamtsu, A.; Hrom'yak, R. T. (Ed.) (2002). The image of Don Juan in world literature, moral-psychological antinomies of the behavioral and axiological complexes. Ternopil: Editorial and Publishing Department TDPU, 331.

Erll, A. (2011). Traumatic pasts, literary afterlives, and transcultural memory: new directions of literary and media memory studies. Journal of Aestetics and Culture, 3, 1–3. doi: 10.3402/jac.v3i0.7186

Fukuyama, F. (1992).The End of History the Last Man. New York: Free Press, 416.

Nora, P. (1989). Between Memory and History: Les Lieux de Mémoire. Representations, 26, 7–24. doi: 10.2307/2928520

Mazlish, B. (2006). The new global history. New York: Routledge, 131.

Downloads

Published

2016-11-30

Issue

Section

Philology