DOI: https://doi.org/10.32461/2226-3209.1.2015.138338

TENDENCIES OF THE INTERVAL ANALYSIS ORNAMENTALLY- GRAPHIC TYPES OF THE CRIMEAN TATAR ART HANSKY ERA

Meryem Idrisova

Abstract


The author seeks to reveal specifics of interval methodology and with its help to structure features of the Crimean Tatar ornaments in different types of the fine arts of a hansky era. As a result of the analysis and generalization of a number of the researches devoted to a problem of genesis and functioning of different options of the Crimean Tatar ornaments in separate types of applied art, the author of article traces and reveals their characteristic features. So, paying attention to pronounced style signs, system of symbols and semantic contexts of different ornamental compositions, in this article along with the analysis of the listed features from intervalnost positions, a certain analogy of figurative and semantic treatment of these ornaments to similar motives in all types of arts, including in musically – poetic genres is also traced.


Keywords


interval analysis; Crimean Tatar graphic ornament; abstraction interval; reference point; pluralism of truth; ornamental motives; art culture of the Crimean khanate