No 3 (2016)

Table of Contents

Articles

ART AS AN IDEA PDF
Nina Ivanovska
Art of the Crimean khanate in logic of the interval analysis PDF (Русский)
Meryem Idrisova
PUBLIC ACTIVITIES OF PETRO SOKALSKYI (TO THE 185th ANNIVERSARY OF THE BIRTH AND THE 130th ANNIVERSARY OF THE DEATH) PDF
Olena Izvarina
Code and cultural and historical tradition of "double coding" in folklore PDF (Українська)
Olena Aphonina
RITUAL INCENTIVES FOR THE FORMATION OF GENRE TYPOLOGIES (THROUGH THE EXAMPLE OF К.SZYMANOWSKI’S ETUDES) PDF
Galina Volkova
Some features of genre palette and means of expression in the contemporary compositions for wind instruments (through the example of Dnepropetrovsk composers’ works) PDF (Українська)
Valeriy Hromchenko
The representation of post-folklore in the internet space: the typology of genres PDF (Українська)
Zhanna Denysyuk
The abstract signs in geometric ornamentation of Ukrainian Pysanky PDF (Українська)
Antonina Dubrivna
THE SPІRІT OF MUSІС ІN HАRMONУ OF THE WORLD АS THE VАLUE OF СІVІLІZАTІON PDF
Tetіаnа Kаblovа, Leonid Timoshenko
OLEKSANDR KOSHYTSYA CHORAL CONDUCTING SCHOOL AS A SOCIOCULTURAL PHENOMENON PDF
Hannа Karas
UKRAINIAN HISTORIOGRAPHY OF MUSEUM SOCIOLOGY PDF
Victor Karpov
INNOVATION MODEL OF MODERN VOCATIONAL MUSIC EDUCATION PDF
Petro Krul
GERMANY – UKRAINE: SOCIO-CULTURAL APPROACH TO THE ENVIRONMENTAL PUBLIC ADVERTISING Без заголовку (Українська)
Olena Novikova, Svitlana Pryshchenko
The texture-composite organization as a dominant character of piano style of V. Bibik (through the example of fortepiano sonata genre) PDF (Українська)
Yuriy Novikov
Methodological basis of the productive scientific school of Ivan Kotlyarevsky PDF (Русский)
Elena Roschenko
Pianist performing thesaurus: the method of analysis PDF (Українська)
Igor Riabov
THEATRICAL ENTERPRISE AS A PHENOMENON OF THE MODERN BELARUSIAN ART: CHARACTERISTICS, ORIGINS, PERIODS PDF
Anna Stelmakh
THE EARLY MUZIO CLEMENTI’S SONATAS: AT THE ORIGINS OF LONDON PIANISM PDF
Olesia Stepanova
Ballet "Princess Olga" and folk opera "While a fern is blooming" E. Stankovich on stage of the Dnipropetrovsk academic theatre of opera and ballet PDF (Українська)
Andrey Tulyantsev
Specific features of the composer’s interpretations in the trilogy of Shan Dei’s vocal ballads after Lu Sin’s prose PDF (Русский)
Khe Tsao
THE CONCEPT OF POLITENESS AND THE PRONOMINAL FORMS OF TREATMENT AS ITS VERBAL REPRESENTATION IN SPANISH PDF
Liudmylа Shevchenko
Ukrainian amateur theatre of Eastern Galicia at the end of XIX – the beginning of XX centuries PDF (Українська)
Irina Yan