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Issue Title
 
No 4 (2016) Martha Graham’s art in the context of modern European dance Abstract
Iryna Herts
 
No 1 (2016) Martha Graham’s art in the context of modern European dance Abstract
Iryna Herts
 
No 2 (2018) CONGRESS OF THE UNESCO INTERNATIONAL DANCE COUNCIL IN LVIV: SIGNIFICANCE AND CONCEPT Abstract  PDF
Аleksandr Plakhotnyuk
 
No 1 (2019) ARCHAIC DANCE: INITIAL FORMS AND MODERNITY Abstract  PDF
Tetiana Kaznacheieva
 
No 2 (2019) Historical and cultural prerequisites for the creation of a state ensemble dance of Ukraine as a form of representation of national art of folk choreography Abstract
Yevgeny Roy
 
No 3 (2018) Modern ballet criticism in Ukraine: scientific and artistic features Abstract
Аліна Миколаївна Підлипська
 
No 3 (2018) PRE-SCENIC MUSICAL AND DANCE GENRES AND FORMS OF THE MIDDLE AGES Abstract  PDF
Tetiana Kaznacheieva
 
No 1 (2019) Dance in culture: the anthropological context of Ukrainian folk dance in the Polish literature of the nineteenth century Abstract
Mariya Bracka
 
No 2 (2018) A GREAT DANCE FORM AS A BASIS FOR DRAMA CONTRAST (THROUGH THE EXAMPLE OF THE OPERA "IVAN SUSANIN" BY M. GLINKA) Abstract  PDF
Tetiana Kaznacheieva
 
No 2 (2019) Styling in professional folk choreographic art of the present Abstract
Iryna Gutnyk
 
No 2 (2018) Place and role of women dance in stage gopak Abstract
Iryna Gutnyk
 
No 1 (2018) DANCE GENRE SYNTHESIS IN THE OPERA "DON JUAN" BY W. A. MOZART Abstract  PDF
Tetiana Kaznacheieva
 
No 1 (2018) Dance-theater in the area of trade expressionism choreographic art Abstract
Olga Boyko
 
No 4 (2018) School of women's ballet expertise National Opera of Ukraine T. H. Shevchenko Abstract
Alina Pidlypska
 
No 4 (2013) Charles Didlo as a teacher of dance: master’s testament Abstract
Lesya Kosakivska
 
No 4 (2017) NATIONAL TRENDS IN THE DANCE GENRES OF POLISH AND CZECH OPERA OF THE PERIOD OF THE NATIONAL SCHOOL DEVELOPMENT Abstract
Tatyana Kaznacheeva
 
No 3 (2013) KEY ASPECTS OF CREATIVITY J. Chuperchuk In the context of the development of stage choreography PRYKARPATTYA Abstract
Olha Bihus
 
No 3 (2017) DRAMA FUNCTIONS OF A DANCE IN THE WEST-EUROPEAN OPERA (FROM J. PERI TO CH. V. GLUCK) Abstract  PDF
Tatyana Kaznacheeva
 
No 1 (2016) CONSERVATION AUTHENTICITY IN CHOREOGRAPHY SETTING MARIA LYASHKEVYCH AND FEDOR DANYLYAK Abstract
Olga Kvetsko
 
No 4 (2018) THE SYNTHESIS OF ARTS IN THE GENRE OF OPERA-BALLET Abstract  PDF
Tetiana Kaznacheieva
 
No 3 (2018) Dmytro Shostakovych ballet “The Bright Stream” in Fedir Lopukhov and Oleksii Ratmanskyi versions: choreographic transformation Abstract
Зоя Михайлівна Макарова
 
No 2 (2019) THE WALTZ GENRE IN THE XIX CENTURY OPERA: THE REALIZATION OF VARIOUS DRAMATURGICAL FUNCTIONS Abstract  PDF
Tetiana Kaznacheieva
 
No 2 (2018) Heroic romantic ballet "Lileya" by Kostyantyn Dankevich in the redactions of Ukrainian choreographers of XX-early XXI centuries Abstract
Liudmyla Vyshotravka
 
No 2 (2019) Choreography as a means of expressing polygenic art forms Abstract
Alla Gotsaliuk
 
No 1 (2018) Specificity of the concertmaster's activity in the sphere of choreography Abstract
Galina Ilina
 
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