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No 4 (2018) Сhamber-vocal expression as a process of artistic self-identification (on example of Rakhmaninov’s creation) Abstract
Serhii Кhananaev, Anna Кhananaeva
 
No 4 (2018) "WANDERING STARS" BY LEONID ZATULOVSKYI: TRADITIONS AND INNOVATION IN THE INTERPRETATION OF THE SYMPHONIC SUITE GENRE Abstract  PDF
Yuliya Kapliyenko-Iliuk
 
No 3 (2018) On the implementation of traditions of salon music in works for flute and piano G. Fore, F. Gober and S. Shamianad Abstract
Ганна Олександрівна Лукацька
 
No 3 (2018) Style and Performing Interpretation of Modern Piano Miniature Abstract
Ольга Миколаївна Жукова
 
No 3 (2018) PARAPHRASE IN THE GENRE SYSTEM OF PIANO TRANSCRIPTIONS OF FRANZ LISZT Abstract  PDF
Natalia Zolotareva
 
No 1 (2018) Ukrainian kant as the third layer' s ganre: the European historical context Abstract
Larysa Vasylieva
 
No 2 (2018) Conversational genre on the stage: the phenomenon of M. Zhvanetsky Abstract
Oleksii Starshoi
 
No 1 (2018) "Natalka-Poltavka" N. Lysenko and "Nazar Stodolya" K. Danikevicha in the context of Odessa vocal tradition Abstract
Antonina Kulieva
 
No 3 (2016) RITUAL INCENTIVES FOR THE FORMATION OF GENRE TYPOLOGIES (THROUGH THE EXAMPLE OF К.SZYMANOWSKI’S ETUDES) Abstract  PDF
Galina Volkova
 
No 1 (2018) Guitar music of Alexander Tansman: neoclassical discourses of creativity Abstract
Tymur Ivannikov
 
No 4 (2017) Director’s searches for theatrical forms during the 90s of the 20 century Abstract
Olena Abramovych, Kateryna Pyvovarova
 
No 4 (2014) TERMINOLOGICAL PRINCIPLES OF MODERN MUSICAL HISTORIOGRAPHICAL DISCOURSE Abstract
Volodymyr I. Ionov
 
No 1 (2013) Spiritual creativity choral Stankovych In the context of modern historical-cultural process Abstract
Olʹha Kramarenko
 
No 3 (2017) FEMALE CHARACTERS IN ZAPOROZHETS ZA DUNAYEM ("A ZAPOROZHIAN (COSSACK) BEYOND THE DANUBE") BY S.HULAK-ARTEMOVSKY AND THEIR FATE IN STAGE PRODUCTIONS OF ODESSA MUSICAL THEATERS Abstract  PDF
Natalia Kadantseva
 
No 3 (2018) TO THE PROBLEM OF POEM-EPOPEI GENRE DEVELOPMENT IN THE NORTH CAUCASIAN LITERATURE Abstract  PDF
Yu.M. Thagazitov, H.T. Timizhev, F.T. Uzdenova, K.K. Bauaev, L.B. Khavzhokova
 
No 4 (2014) THE PSYCHOPHYSIOLOGICAL PECULIARITIES OF THE PERFORMANCE OF THE COMPOSITIONS FOR INSTRUMENT’S SOLO (for example of wind musical performing arts). Abstract
Valerii V. Hromchenko
 
No 1 (2013) Adoption of identity search of O. Yakovchuk Abstract
Tetiana Voloshyna
 
No 3 (2017) Stylistic and dramaturgic peculiarities of Concertino for oboe and chamber orchestra of Zhanna Kolodub Abstract
Rimma Sulim
 
No 1 (2019) Genre-thematic features of the films of Ukrkinchronics 2011-2013 Abstract
Оlena Moskalenko-Vysotska
 
No 3 (2014) PARODY AS A METHOD IS IN THE UKRAINIAN THEATER IN 1920-TH. Abstract
Iryna Chuzhynova
 
No 2 (2017) Genetic genre origins of prelude and prelusion Abstract
Olga Chernienko
 
No 1 (2019) Ensemble culture of the performance of the quartette-concerto f-dur kv 370 of W.Mozart Abstract
Lilia Shevchenko
 
No 3 (2014) THE INDICATION OF VERISM IN OPERATIC CREATIVE ACTIVITY OF TAN DUN Abstract  PDF
Bing Qiang Liu
 
No 2 (2017) Fantasy-sonata "After reading Dante" by F. Liszt – is an example of a genre synthesis embodiment Abstract
Fanuan Li
 
No 1 (2019) Genre-style panorama of the choreographic and stage production of P. Virskyi on the operatic stage in the 1930s Abstract
Yevgeny Roy
 
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