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No 4 (2018) THE HUTSUL CULTURE IN FICTIONAL PROSE OF THE BEGINNING OF THE XXth CENTURY: INTERPRETATION PECULIARITIES Abstract  PDF
Tetiana Bykova, Oleksander Bykov
 
No 3 (2018) «Abduction from the serial» V.A . Mozart: to the problem of stage interpretation of opera text Abstract
Жи Нан
 
No 3 (2018) The conceptual foundations of Ethno-Design in Ukraine Abstract
Ілона Олегівна Сиваш
 
No 3 (2018) Style and Performing Interpretation of Modern Piano Miniature Abstract
Ольга Миколаївна Жукова
 
No 3 (2018) PARAPHRASE IN THE GENRE SYSTEM OF PIANO TRANSCRIPTIONS OF FRANZ LISZT Abstract  PDF
Natalia Zolotareva
 
No 3 (2018) An epic tradition in the coordinates of the operatic genre: for example, the production of the opera by O. Borodin "Prince Igor" by D. M. Gnatyuk Abstract
Віктор Олексійович Бондарчук
 
No 4 (2018) MUSIC OF MODERN BALLETS Abstract  PDF
Olena Afonina
 
No 4 (2014) "OPEN INTERPRETATION": THE FORMULATION OF THE PROBLEM Abstract
Oleksandr O. Benzyuk
 
No 1 (2018) THE PECULIARITY OF THE INTERPRETATIVE THINKING IN THE CONTEXT OF RHETORIZED PIANO PERFORMING STYLE Abstract  PDF
Yelena Pototskaya
 
No 1 (2018) Musical-choreographic synthesis in ballet by Uwe Scholz "The Great Mass" Abstract
Iryna Hertz
 
No 2 (2017) STYLE OF PERFORMING INTERPRETATION AS A SUBJECT OF MUSICOLOGICAL RESEARCH Abstract  PDF
Yelena Pototskaya
 
No 1 (2014) DIMENSIONAL ARTS IN THE PIANO DUO GENRE DEVELOPMENT Abstract
Olha Shcherbakova
 
No 2 (2017) Творческие свершения Дмитрия Гнатюка: конец 60-х – начало 70-х годов ХХ века Abstract
Viktor Bondarchuk
 
No 1 (2014) HUMAN AND COSMIC TRUTH IN WILLIAM SHAKESPEARE’S INTERPRETATION Abstract
Olena Kolesnyk
 
No 1 (2017) Conceptual-Categorical Apparatus of Modern Furniture Design Abstract
Valery Strilets
 
No 3 (2013) Musicology and film who know interpretation functions dramatic film music: historiography question Abstract
Anastasiya Arkhanhorodska
 
No 1 (2017) COMMUNICATIVE PROPERTIES OF IMPROVISATION IN CONTEMPORARY MUSIC Abstract  PDF
Kira Maidenberg-Todorova
 
No 3 (2013) Artistic interpretation myths desolate land Abstract
Olena Kolesnyk
 
No 1 (2016) V. VASILKO DIRECTOR'S INTERPRETATION OF G. KVITKA-OSNOVJANENKO’S PLAY "SHELMENKO-DENSCHIK" Abstract
Maryna G. Tatarenko
 
No 1 (2013) The phenomenon of spirituality in the music and performing arts: the problem definition Abstract
Serhiy Nefedov
 
No 4 (2015) ENSEMBLE AND PERFORMANCE TASKS OF DANCE IMAGE INTERPRETATION IN THE INSTRUMENTAL MUSIC Abstract
Yuri Scherbakov
 
No 2 (2013) Playing Oleg Kryshtalsky Abstract
Stepan Lisetsʹkyi
 
No 1 (2013) Musical text and workIN the context semiotic analysis Abstract
Olena Kapichina
 
No 3 (2016) Specific features of the composer’s interpretations in the trilogy of Shan Dei’s vocal ballads after Lu Sin’s prose Abstract
Khe Tsao
 
No 4 (2014) CULTUROLOGICAL HERMENEUTICS AS THE METHODOLOGICAL BASIS OF STUDYING THE PHENOMENON OF INTERPRETATION Abstract
Olena S. Kolesnyk
 
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