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Issue Title
 
No 3 (2018) Symbolism-verism aspects of expressiveness to piano play of S. Rachmaninov Abstract
Daria Androsova
 
No 3 (2018) On the implementation of traditions of salon music in works for flute and piano G. Fore, F. Gober and S. Shamianad Abstract
Ганна Олександрівна Лукацька
 
No 4 (2018) Odessa piano school in Ukrainian art ХХ – ХХІ century Abstract
Lilia Shevchenko
 
No 2 (2019) Traditions of the Culture of the Artistic france and piano concertos of C.Saint-Saëns Abstract
Lilia Shevchenko
 
No 3 (2018) The conceptual foundations of Ethno-Design in Ukraine Abstract
Ілона Олегівна Сиваш
 
No 2 (2019) History premises of clarinet technology and concept of virtuoso plays on this instrument Abstract
Zinoviy Burkackiy
 
No 2 (2019) The Harmonizations of Professor to Odessa State Conservatoire S.Orfejev Stepjenns and Prokimens for the Religious Service Abstract
Daria Androsova
 
No 1 (2019) MUSICIAN STYLE: DIALECTIC AND POLYLECTIC OF PERFORMING CREATIVITY Abstract  PDF
Vitaliy Zaets
 
No 1 (2018) THE PECULIARITY OF THE INTERPRETATIVE THINKING IN THE CONTEXT OF RHETORIZED PIANO PERFORMING STYLE Abstract  PDF
Yelena Pototskaya
 
No 3 (2018) The Old Russian style: rethinking Hellenistic and Byzantine traditions Abstract
Galyna Mednikova
 
No 1 (2018) Experience of virtuoso instrumental play ХІХ century in forming mastery to modern clarinetist Abstract
Zinoviy Burkackiy
 
No 3 (2018) Neosymbolism of music of XX century and performance musicology Abstract
Оlena Markova
 
No 1 (2019) Clearing of the expressive acceptance mandoline to instrumental type in works of A.Vivaldi and W.Mozart Abstract
Alexander Oliynyk
 
No 3 (2018) Style and Performing Interpretation of Modern Piano Miniature Abstract
Ольга Миколаївна Жукова
 
No 3 (2018) Ontological aspect of familiarizing with the creative work of J.S. Bach and to the symbolism of spiritual christian music Abstract
Галина Вікторівна Волкова
 
No 3 (2018) Individual performing style of the conductor-choirmaster as a subject of theoretical research Abstract
Юлія Сергіївна Ткач
 
No 2 (2016) NATIONAL ROOTS OF PIANO SYMBOLISM OF A.SKRYABIN PERFORMANCE STYLE Abstract  PDF
Daria Androsova
 
No 1 (2018) Chernihiv composer school of the new era: features protrude the incarnation Abstract
Oleg Vasyuta
 
No 1 (2019) To the question of the national-style determinants of Stefan Turchak’s art Abstract
Olga Katrych, Ihor Pylatiyk
 
No 2 (2019) Chinese theme in german and ukrainian symbolism (on example of the comparison of the instrumental invoice in "canto about land" of g.mahler and cycle on verses of chinese poets of b.l. jatoshinskiy) Abstract
Olga Ryzhova
 
No 1 (2019) Universality to creative activity of P.Hindemith Abstract
Viktor Bаtаnоv
 
No 2 (2019) Composition as a new style search Abstract
Oleksii Ovchrenko, Olena Podvolotska
 
No 2 (2017) STYLE OF PERFORMING INTERPRETATION AS A SUBJECT OF MUSICOLOGICAL RESEARCH Abstract  PDF
Yelena Pototskaya
 
No 1 (2018) The iconography of Kiev and Kiev Pechersk Lavra at the end of the XVII – early XIX century: the basic terms in the research and their significance meaning. Abstract
Olga Ryzhova
 
No 2 (2014) FOLK SONG PERFORMANCE IN TERMINOLOGY OF DOMESTIC ETHNOMUSICOLOGY Abstract
Yuliia Karchova
 
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