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Issue Title
 
No 3 (2018) On the implementation of traditions of salon music in works for flute and piano G. Fore, F. Gober and S. Shamianad Abstract
Ганна Олександрівна Лукацька
 
No 4 (2018) Odessa piano school in Ukrainian art ХХ – ХХІ century Abstract
Lilia Shevchenko
 
No 3 (2018) Symbolism-verism aspects of expressiveness to piano play of S. Rachmaninov Abstract
Дарія Володимирівна Андросова
 
No 3 (2018) The conceptual foundations of Ethno-Design in Ukraine Abstract
Ілона Олегівна Сиваш
 
No 1 (2019) MUSICIAN STYLE: DIALECTIC AND POLYLECTIC OF PERFORMING CREATIVITY Abstract  PDF
Vitaliy Zaets
 
No 1 (2018) Experience of virtuoso instrumental play ХІХ century in forming mastery to modern clarinetist Abstract
Zinoviy Burkackiy
 
No 1 (2018) THE PECULIARITY OF THE INTERPRETATIVE THINKING IN THE CONTEXT OF RHETORIZED PIANO PERFORMING STYLE Abstract  PDF
Yelena Pototskaya
 
No 3 (2018) Style and Performing Interpretation of Modern Piano Miniature Abstract
Ольга Миколаївна Жукова
 
No 3 (2018) Ontological aspect of familiarizing with the creative work of J.S. Bach and to the symbolism of spiritual christian music Abstract
Галина Вікторівна Волкова
 
No 3 (2018) Individual performing style of the conductor-choirmaster as a subject of theoretical research Abstract
Юлія Сергіївна Ткач
 
No 3 (2018) Neosymbolism of music of XX century and performance musicology Abstract
Олена Миколаївна Маркова
 
No 3 (2018) The Old Russian style: rethinking Hellenistic and Byzantine traditions Abstract
Галина Сергіївна Мєднікова
 
No 1 (2019) Clearing of the expressive acceptance mandoline to instrumental type in works of A.Vivaldi and W.Mozart Abstract
Alexander Oliynyk
 
No 1 (2019) To the question of the national-style determinants of Stefan Turchak’s art Abstract
Olga Katrych, Ihor Pylatiyk
 
No 1 (2019) Universality to creative activity of P.Hindemith Abstract
Viktor Bаtаnоv
 
No 2 (2017) STYLE OF PERFORMING INTERPRETATION AS A SUBJECT OF MUSICOLOGICAL RESEARCH Abstract  PDF
Yelena Pototskaya
 
No 1 (2018) The iconography of Kiev and Kiev Pechersk Lavra at the end of the XVII – early XIX century: the basic terms in the research and their significance meaning. Abstract
Olga Ryzhova
 
No 2 (2014) FOLK SONG PERFORMANCE IN TERMINOLOGY OF DOMESTIC ETHNOMUSICOLOGY Abstract
Yuliia Karchova
 
No 2 (2016) NATIONAL ROOTS OF PIANO SYMBOLISM OF A.SKRYABIN PERFORMANCE STYLE Abstract  PDF
Daria Androsova
 
No 1 (2018) Chernihiv composer school of the new era: features protrude the incarnation Abstract
Oleg Vasyuta
 
No 1 (2014) CONCERT VIRTUOSOS AS DIRECTORS-FOUNDERS OF THE FRENCH ASSOCIATION OF PUBLIC CONCERTS "CONCERT SPIRITUAL" Abstract
Nataliia Bieliavina
 
No 3 (2016) The texture-composite organization as a dominant character of piano style of V. Bibik (through the example of fortepiano sonata genre) Abstract
Yuriy Novikov
 
No 1 (2019) «The Concert» (in memory of Mykola Leontovych) by V. Stepurko as the implementation of the memorial-neo-religious pattern of Ukrainian choral concert Abstract
Yana Kyrylenko
 
No 4 (2015) PROBLEMS OF DEVELOPMENT AND THE FORMATION OF FINE ART AND ICONOGRAPHY IN UKRAINE Abstract
Irina Golub
 
No 3 (2013) Features sculptural and architectural Mariinsky Palace facade Abstract
Iryna Lysenko-Tkachuk
 
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