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Issue Title
 
No 3 (2018) «Tannhauser» R. Wagner in the mainstream of the evolutionary ways of the German musical theater: mythopoetic and genre-style aspects Abstract
Анжеліка Анатоліївна Татарнікова
 
No 2 (2013) Kyiv theater "Harlequin" as first practical experience Create professional puppet theater in Kiev (1919) Abstract
Darʺya Ivanova
 
No 4 (2018) Epistolary style of educators and artists as a source of the history of the culture of Southern Ukraine in the XIX and early XX centuries Abstract
Anna Hedo
 
No 3 (2018) «Abduction from the serial» V.A . Mozart: to the problem of stage interpretation of opera text Abstract
Жи Нан
 
No 4 (2018) Influence of choreographic art on the development of the theatrical business of Ukraine: the historical aspect Abstract
Andriy Lyagushchenko
 
No 3 (2018) Review of the Monograph by Jan I. "Sociosphere of the Ukrainian musical and drama theater the last third of the XIX and early XX centuries" Abstract
Олена Миколаївна Маркова
 
No 1 (2014) THE WAYS OF THE DEVELOPMENT OF THE ARTISTIC AND AESTHETIC GUIDELINES IN THE UKRAINIAN THEATER Abstract
Oleh Danchuk
 
No 1 (2019) POLYASPECTNESS OF CREATIVITY OF SERHII NAIENKO Abstract  PDF
Oleh Petryk
 
No 4 (2016) Ukrainian amateur theatre in over-Dnieper Ukraine, Eastern Galicia late XIX – early XX century Abstract
Irina Yan
 
No 2 (2018) Theoretical problems of studying the choreographer-director work in the historical and analytical aspect Abstract
Olena Shapoval
 
No 2 (2018) Repertoire of ballet theaters of ukraine and the world: comparative analysis Abstract
Alina Pidlypska
 
No 2 (2018) Heroic romantic ballet "Lileya" by Kostyantyn Dankevich in the redactions of Ukrainian choreographers of XX-early XXI centuries Abstract
Liudmyla Vyshotravka
 
No 1 (2018) Statement of the voice as the basis for mastering the master of verbal action Abstract
Natalia Donchenko, Tatyana Nechaenko
 
No 2 (2017) Cultural anthropology and "oral history" method in the context of the contemporary theater studies (through the example of articulation of Odessa city myth in the creativity of Musical Comedy Theatre named after M.Vodyanoy) Abstract
Hanna Nikolaieva
 
No 1 (2015) THE EVOLUTION OF MINE WARFARE IN THE BLACK SEA THEATER OF OPERATIONS IN THE 1907-1914 (THE EXPERIENCE OF RUSSIAN EMPIRE) Abstract
Igor Furman
 
No 2 (2017) Creative career of Yuriy Chaika: opera directing Abstract
Andrey Tulyantsev
 
No 1 (2019) Manifestations of aesthetics of skomorokhs in ballet images Abstract
Tetyana Lugovenko
 
No 1 (2015) INFLUENCE OF SHAKESPEARE'S DRAMATIC ON CREATIVITY OF THE FAMOUS JAPANESE FILMMAKER AKIRA KUROSAWA Abstract
Violetta Demeschenko
 
No 2 (2017) Conductor Boris Afanasiev: period of creativity in Dnepropetrovsk Abstract
Nonna Surzhina
 
No 1 (2019) Stuntmen as an integral part of the spectacular-stunt action Abstract
Olexander Zhukovin
 
No 1 (2015) CULTURAL AND ARTISTIC LIFE IN THE LIBERATED FROM GERMAN OCCUPATION OF UKRAINE: 1943–1944 YEARS Abstract
Natalya Romanenko
 
No 1 (2019) The emotional memory as a key point of perfection of creative process of the actor of theater in its professional work Abstract
Natalia Donchenko, Olga Vynar
 
No 3 (2016) THEATRICAL ENTERPRISE AS A PHENOMENON OF THE MODERN BELARUSIAN ART: CHARACTERISTICS, ORIGINS, PERIODS Abstract  PDF
Anna Stelmakh
 
No 2 (2016) SOME ASPECTS OF HISTORICAL GENESIS AND EVOLUTION OF THEATRICAL ACTOR MASK Abstract
Alla Medvedeva
 
No 1 (2014) SOME ASPECTS OF CULTURAL FESTIVALS IN KHMELNYTSKY OBLAST: beginning of the XXI century Abstract
Iryna Trunova
 
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