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Issue Title
 
No 3 (2018) «Tannhauser» R. Wagner in the mainstream of the evolutionary ways of the German musical theater: mythopoetic and genre-style aspects Abstract
Анжеліка Анатоліївна Татарнікова
 
No 2 (2013) Kyiv theater "Harlequin" as first practical experience Create professional puppet theater in Kiev (1919) Abstract
Darʺya Ivanova
 
No 4 (2018) Influence of choreographic art on the development of the theatrical business of Ukraine: the historical aspect Abstract
Andriy Lyagushchenko
 
No 4 (2018) Epistolary style of educators and artists as a source of the history of the culture of Southern Ukraine in the XIX and early XX centuries Abstract
Anna Hedo
 
No 3 (2018) «Abduction from the serial» V.A . Mozart: to the problem of stage interpretation of opera text Abstract
Жи Нан
 
No 3 (2018) Review of the Monograph by Jan I. "Sociosphere of the Ukrainian musical and drama theater the last third of the XIX and early XX centuries" Abstract
Олена Миколаївна Маркова
 
No 1 (2014) THE WAYS OF THE DEVELOPMENT OF THE ARTISTIC AND AESTHETIC GUIDELINES IN THE UKRAINIAN THEATER Abstract
Oleh Danchuk
 
No 1 (2019) POLYASPECTNESS OF CREATIVITY OF SERHII NAIENKO Abstract  PDF
Oleh Petryk
 
No 2 (2018) Theoretical problems of studying the choreographer-director work in the historical and analytical aspect Abstract
Olena Shapoval
 
No 2 (2018) Repertoire of ballet theaters of ukraine and the world: comparative analysis Abstract
Alina Pidlypska
 
No 2 (2018) Heroic romantic ballet "Lileya" by Kostyantyn Dankevich in the redactions of Ukrainian choreographers of XX-early XXI centuries Abstract
Liudmyla Vyshotravka
 
No 1 (2018) Statement of the voice as the basis for mastering the master of verbal action Abstract
Natalia Donchenko, Tatyana Nechaenko
 
No 4 (2016) Ukrainian amateur theatre in over-Dnieper Ukraine, Eastern Galicia late XIX – early XX century Abstract
Irina Yan
 
No 2 (2016) MYTHOLOGICAL CODES AND «DOUBLE CODING» IN ART Abstract  PDF
Olena Aphonina
 
No 3 (2013) JOSEPH Hoshuliak: citizen, singer, writer Abstract
Andriy Tulyantsev
 
No 4 (2017) Specificity of the spoken variety art on television: issues of development and genre formation Abstract
Tetyana Sovgyra
 
No 3 (2015) PROBLEMS OF A DIFFERENT NATIONALITY STAGE EMBODIMENT WORKS IN THE UKRAINIAN DRAMA THEATER (60-80 YEARS OF THE 20 CENTURY) Abstract
Roman Yesypenko
 
No 3 (2013) A national music education in activities of calician composer Mikhail Verbitsky Abstract
Lyubomyr Martyniv, Olha Martyniv
 
No 4 (2017) Ballet theater as an objective of critical re-evaluation in modern Ukraine Abstract
Alina Pidlypska
 
No 4 (2015) THE FEATURES OF THEATRE CULTURE FORMATION IN NORTH PRYAZOVYE IN 19TH CENTURY Abstract
Olga Demidko
 
No 2 (2013) Language as performing Art project Abstract
Olena Domansʹka
 
No 4 (2017) The conceptual model of training of the respiratory system of the voice apparatus of future theater and cinema specialists Abstract
Tatyana Nechayenko, Olga Vinar
 
No 2 (2015) VERISTICAL IDEA OF FEMALE CHARACTERS IN MODERN CHINESE OPERA AND OPERA G. PUCCINI Abstract  PDF
Bin Feng
 
No 2 (2013) Under the sign Kurbas: mass art Abstract
Vasylʹ Vovkun
 
No 4 (2017) Children’s ballets of Henry Mayorov. History of the Kyiv period of the ballet master`s art (1972-1978) Abstract
Olha Bilash
 
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