UKRAINE. EUROPE. WORLD. HISTORY AND NAMES IN CULTURAL AND ARTISTIC REFLECTIONS

Creative world of Maryna Denysenko-Sapmaz

2023-11-21T11:52:31+02:00

Jean-Philippe Rameau’s creative Conceptualization in the context of the epoch ideas

2023-11-21T12:22:53+02:00

Solo violin music in the creativity of Hanna Havrylets

2023-11-21T12:28:19+02:00

Arrangements of the folk songs for voice and piano by Antin Rudnytsky as an example of vocal piano variations on a folk theme

2023-11-21T12:36:58+02:00

Chamberity as a manifestation of the romantic reflection of Mykola Lysenko’s piano work

2023-11-21T12:45:17+02:00

Children’s opera and musical performances in the works of Osyp Zalesky

2023-11-21T12:53:44+02:00

Valery Ivko: virtuosity of life and creativity

2023-11-21T13:03:27+02:00

The figure of Antin Rudnytsky in the musical Ukrainian Diaspora of the 20th century

2023-11-21T13:08:46+02:00

Mykhailo Drahomanov in the perspective of the Ukrainophile Discourse

2023-11-21T13:14:04+02:00

Program titles, dedications and marginalia as sources of the composer's work research (on the material of Viktor Kosenko’s creativity)

2023-11-21T13:19:27+02:00

European musicological thought in the scientific heritage of Petro Sokalsky (to the 190th anniversary of the birth of the scientist)

2023-11-21T13:25:23+02:00

Serhiy Drymtsov: pedagogical activity

2023-11-21T13:32:09+02:00

Mykola Lysenko and Boykivshchyna: some of the realities of Ukrainian music

2023-11-21T13:41:29+02:00

THE VIEWS OF HRYHORIY SKOVORODA THROUGH THE PRISM OF HUMANISTIC PSYCHOLOGY

2023-11-21T13:46:50+02:00

Memory of history: Ivan Rachynskyi

2023-11-21T13:55:42+02:00

Memory of history: Ivan Rachynskyi

Contemporary musical offerings to Hryhoriy Skovoroda (to the 300th anniversary of his birth)

2023-11-21T14:00:53+02:00

Christmas songs of the “Ukrainian Gospel Songbook” (1933): source and textological aspects

2023-11-21T14:16:54+02:00

Koliadka and shchedrivka in the village of Gubcha in Khmelnytskyi region: local tradition features

2023-11-21T14:23:37+02:00

New thinking as traditional: reactualization of the Western European legacy in Jacques Derrida’s conception

2023-11-21T14:31:07+02:00

The researches by scientific about Chernihiv-Siver region in the context of musicological regionalism

2023-11-21T14:38:29+02:00

The popularization of Mykola Lysenko’s work in interwar Czecho-Slovakia as a factor in the national and cultural identification of Ukrainians

2023-11-21T14:45:13+02:00

Works of Mykola Lysenko in the Zoja Ghajdaj’s repertory

2023-11-21T14:49:48+02:00

Paradigm of Western European romantic aesthetics in Mykola Lysenko’s work

2023-11-21T14:54:35+02:00

Mykola Lysenko as a founder of national musical language

2023-11-21T14:59:30+02:00

Unknown Plenary Session of Composers’ Ukrainian Union in 1940 in the mirror of historical truth

2023-11-21T15:04:50+02:00

Mykola Lysenko and the Rylskyi family: the role of environment in the formation of personality

2023-11-21T15:09:35+02:00

Figurative and musical personification of the chamber works of Bohdana Filtz (to the 90th anniversary of her birth)

2023-11-21T15:14:39+02:00

“Every flower is a song for Ukraine”: a new edition of works for the children’s choir by Mykola Lastovetskyi

2023-11-21T15:19:49+02:00

«Кожна квітка — пісня Україні»: нове видання творів для дитячого хору Миколи Ластовецького

Mykola Lastovetskyi’s choral music for children and youth (dedicated to the 75th anniversary of his birth)

2023-11-21T15:30:41+02:00

Cantata “To the 50th Anniversary of Taras Shevchenko’s Death” by Mykola Lysenko in Ukrainian Musical Shevchenkiana

2023-11-21T15:40:29+02:00

Viktor Matyuk’s cycle to the words of Heіnriсh Heine and formation of Ukrainian professional composer school in Galicia

2023-11-21T15:47:59+02:00

Specific features of artistic and performing interpretation of Ukrainian sacred music of the 17th–18th centuries

2023-11-21T15:53:43+02:00

Mykola Lysenko’s musical-performing reflection in the area of cross-cultural links and national identity

2023-11-21T16:01:30+02:00

Spiritual and Patriotic Determinants of Valentyn Sylvestrov’s Style in the Choral Cycle “Maidan. 2014”

2023-11-21T16:06:37+02:00

Ukrainian events in the musical space of modern Estonia

2023-11-21T16:10:09+02:00

Genre and style innovations in the modern trumpet concerto (as Yevgen Stankovych’s “RhapsodyConcerto”)

2023-11-21T16:18:12+02:00

The Chinese legend of the Princess Turandot in the European opera of the 18th century

2023-11-22T12:03:20+02:00

Китайська легенда про принцесу Турандот в європейській опері XVIII століття

Propaganda manipulation on the scale of the sociolocus (on the example of creativity of the amateur folk choir in the Bereziv Rural House of Culture)

2023-11-22T12:11:58+02:00

Music as the spiritual credo of the artist: on the occasion of Yuri Lanyuk’s 65th anniversary

2023-11-22T12:16:02+02:00

Neo-romanticism in the chamber sonatas by Alexander Yakovchuk

2023-11-22T12:26:38+02:00

Where the silence ends: about the “unspeakable” in the music of Victoria Poleva “Bucha. Lacrimosa”

2023-11-22T12:32:02+02:00

Seven choral compositions “Profiles of time” for organ by Volodymyr Guba

2023-11-22T12:35:52+02:00

Composing contribution of Isak Berkovych and Yuri Shchurovsky to the treasury of the Ukrainian piano pedagogical repertory

2023-11-22T12:39:58+02:00

American woman with Ukrainian roots: sides of the talent of the outstanding pianist Maria Tsisyk

2023-11-22T12:43:35+02:00

Notes on the history of development and contemporary trends of estonian symphonic music

2023-11-22T12:47:17+02:00

Modern composer’s techniques in the work of Mykola Lastovetskyi

2023-11-22T12:52:16+02:00

Peter Turchaninov’s spiritual and musical heritage in the Music Library of Kyiv Theological Academy Choir

2023-11-22T12:56:35+02:00

Antiphones to the Holy Virgin Mary as a Source of Inspiration for Modern Ukrainian Composers

2023-11-22T13:09:47+02:00

Lviv traditions of honoring Mykola Lysenko: 1903–2022

2023-11-22T13:16:09+02:00

Yury Shevchenko: brinks of creativity, heartfelt music (In memoriam)

2023-11-22T13:23:27+02:00

Mykola Lysenko in the mirror of the civilizational challenges aroused by the epoch

2023-11-22T13:27:38+02:00

Borys Kudryk’s work in the Ukrainian musical culture of the first half of the 20th century

2023-11-22T13:31:35+02:00

XIV National Music Award “Golden bell” (China). Victory of the Ukrainian vocal school

2023-11-22T13:35:06+02:00

Mykhailo Verikivsky: logicalconstructive principles of musical thinking (on the example of piano preludes cycle)

2023-11-22T13:38:20+02:00

Piano cycles “Children’s scenes” by Robert Schuman and “24 children's plays” by Viktor Kosenko: imaginary and dramaturgical parallels

2023-11-22T13:43:06+02:00

Mykola Lysenko’s Jubilee Year on the background of Ukrainian realities

2023-11-22T13:51:04+02:00

National and patriotic motives in the Vocal creativity of Vitaliy Kyreyko in the 2000s

2023-11-22T13:57:09+02:00

Unpublished Collection of Choral Works by Yakiv Yatsynevych: Genre-Composition Characteristics, Specificity of the Musical Language

2023-11-22T14:02:22+02:00

Mykola Lysenko — founder of Ukrainian national music education

2023-11-22T14:05:58+02:00

Artistic and imaginative concept of Vitaliy Kyreyko’s piano creativity

2023-11-22T14:09:30+02:00

Signal semantics in the works of Edgard Varèse: controversial use and perception in the conditions of the war in Ukraine

2023-11-22T14:13:13+02:00

Anniversary of Mykola Lysenko: Sketches based on Olena Pchilka’s archive

2023-11-22T14:16:42+02:00

Chinese National Instruments in Qin Wenchen’s music

2023-11-22T14:19:42+02:00