No. 8 (2025)

DOI: https://doi.org/10.31318/2786-8877.8.2025

Published: 2025-12-24

Full Issue

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Статті

Oleh Tymoshenko as an organizer of the musicalenlightenment movement (The Honored Choral Chapel of the South-Western Railway)

Olena Baranovska

16-39
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Concert performance of Mykola Fomenko’s works and their scientific publicistic evaluation (to the 130th anniversary of the composer’s birthday)

Hanna Karas

40-59
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The “Warsaw Autumn” Festival as a space for artistic and cognitive achievements. Ukrainian connections

Jerzy Kornowicz

60-81
- PDF (Język Polski)
- PDF (Українська)
The tragic fate of the Kyiv artist Kostiantyn Regame and his legacy (new materials from Kraków)

Jerzy Stankiewicz

82-115
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- PDF (Українська)

MATERIALS OF SCIENTIFIC CONFERENCES

Trends of polystylistics in the Concerto for double bass and string orchestra by Zoltan Almashi

Myroslav Avramenko

116-120
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Cyberspace and Art: Virtual Reality as a New Artistic Dimension

Inna Antipina

121-127
- PDF (Українська)
Music almanac «Octava» — acquisition of Ukrainian art

Iryna Apalkova

128-132
- PDF (Українська)
Jan Freidlin and his MonoOpera for solo violin (to the 80th anniversary of his birth)

Mariia Babii

133-139
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The creative persona of Ukrainian composer Roman Grygoriev in the context of war through the lens of conceptual works

Yanina Bielai

140-143
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The scholarly legacy of Oleksandr Kozarenko as reflected in the “Bibliographic index” of his Works. A Presentation of the Publication

Oksana Hnatyshyn

144-149
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Oleksandr Koshyts. “The Book of vinegar and gall”: a diary of struggle

Tetiana Husarchuk

150-162
- PDF (Українська)
Poetics of the word. Poetics of the dance. “Dawnlights” by Lesia Dychko

Oksana Davydova

163-167
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The Archetype of the «Word» in Lesia Dychko’s Choral Concerto to texts by Lesia Ukrainka

Olena Derevianchenko

168-176
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Hanging bells and vessel rattles of the 5–11 centuries from the territory of ancient Ukraine

Iryna Zinkiv

177-181
- PDF (Українська)
Adam Kazimierz Starzymowski and his song «Moriendum, hoc est certum»: from «Porta ad caelum in via contemplativa animae paenitentis» to «Bohohlasnyk»

Olga Zosim

182-197
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Practical aspects of artistic transcription of a chamberinstrumental miniature for violin and orchestra (on the example of “Melody” by Borys Lyatoshynskyi)

Anna Ivko, Vladyslav Nikulin

198-205
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The activities of the Mykola Lysenko Music and Drama Institute in 1918–1934

Olena Katsalap

206-214
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Features of the embodiment of the orthoepy of a cultural hero in Oleg Fialko’s film “The Return of the Butterflies”

Dmytro Kyrychek

215-222
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Applied musicology in modern Ukrainian realities

Luba Kyyanovska

223-225
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Opera studio of the Ukrainian National Tchaikovsky Academy of Music as an experimental laboratory for the formation of professional competences of young directors

Yevdokiia Kolesnyk

226-228
- PDF (Українська)
The “either’s” text in the context of contemporary music: creative experience of European composers

Daryna Kupina

229-233
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The significance of Lev Venedyktov’s creative personality in Ukrainian music art development

Oksana Letychevska

234-238
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The role of the Drogobych Organization of the National Union of Composers of Ukraine in the activation of the musical movement in the region

Tetiana Liteplo

239-244
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Olga Dutko is the heiress of Filaret Kolessa’s scientific ideas in Transcarpathia

Vira Madyar-Novak

245-250
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Recording Project “Ukrainian Préludes”: Commitment to Humanity and the European Tradition

Jascha Nemtsov

251-263
- PDF
Development of music archaeology in Ukraine

Olga Oliynyk

264-275
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Creative dimensions of Viktoriia Shynkarenko: features of Franz Kafka’s vision of the world

Veronika Pieshkova

276-282
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The practice of reconstructing Maksym Berezovsky’s works: challenges and issues (based on materials from Central State Archive-Museum of Literature and Art of Ukraine)

Olga Prykhodko

283-292
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Events in the operatic life of modern Italy

Olena Ponomarenko

293-299
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The creative figure of Yuriy Ishchenko in the dynamics of the sociocultural context of ukrainian musical art of the second half of the 20th — early 21st century

Mykola Puchko-Kolesnyk

300-303
- PDF (Українська)
The Specific Nature of Artistic Experimentation in the Creative Work of Composer Alisa Kobzar

Dzvenyslava Safian

304-310
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Synthesis of traditions and innovations in the modern director’s interpretation of Antin Rudnitsky’s opera “Anna Yaroslavna — the queen of France”

Iryna Suvorova

311-316
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The Role of Anatolii Butskyi in the Development of the Music Education Process in Kyiv (1918–1925)

Olena Taranchenko

317-323
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Representation of Ukrainian culture within the framework of the cultural forum “China-Ukraine: Love of Art (2024)” of Hunan University of Science and Technology for the Humanities

Ganna Usova

324-329
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The return of Juliusz Zarębski

Kira Shamayeva

330-333
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Collaboration between children and professional performers in musical productions as a manifestation of contemporary culture-shaping trends in theatrical art

Oleksandra Shevelova

334-341
- PDF (Українська)
The relevance of Franz Kafka’s ideas in the trilogy “Kavka” by Viktoriіa Shynkarenko

Viktoriіa Shynkarenko

342-346
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Tragic themes in Ukrainian music in recent years

Dmytro Shchyrytsia

347-350
- PDF (Українська)