No. 6 (2023)

Статті

• Creative world of Maryna Denysenko-Sapmaz

  Iryna Apalkova

  17-21

  • PDF (Українська)

• Jean-Philippe Rameau’s creative Conceptualization in the context of the epoch ideas

  Vira Artemieva

  22-25

  • PDF (Українська)

• Solo violin music in the creativity of Hanna Havrylets

  Marina Babii

  26-31

  • PDF (Українська)

• Arrangements of the folk songs for voice and piano by Antin Rudnytsky as an example of vocal piano variations on a folk theme

  Oksana Bassa

  32-37

  • PDF (Українська)

• Chamberity as a manifestation of the romantic reflection of Mykola Lysenko’s piano work

  Inesa Berenbein

  38-41

  • PDF (Українська)

• Children’s opera and musical performances in the works of Osyp Zalesky

  Olha Bilinska

  42-47

  • PDF (Українська)

• Valery Ivko: virtuosity of life and creativity

  Svitlana Bilousova

  48-51

  • PDF (Українська)

• The figure of Antin Rudnytsky in the musical Ukrainian Diaspora of the 20th century

  Alina Varshavska

  52-54

  • PDF (Українська)

• Mykhailo Drahomanov in the perspective of the Ukrainophile Discourse

  Volodymyr Volkovskyi

  55-67

  • PDF (Українська)

• Program titles, dedications and marginalia as sources of the composer's work research (on the material of Viktor Kosenko’s creativity)

  Olha Volosatykh

  68-73

  • PDF (Українська)

• European musicological thought in the scientific heritage of Petro Sokalsky (to the 190th anniversary of the birth of the scientist)

  Oksana Hnatyshyn

  74-79

  • PDF (Українська)

• Serhiy Drymtsov: pedagogical activity

  Larysa Hnatiuk

  80-87

  • PDF (Українська)

• Mykola Lysenko and Boykivshchyna: some of the realities of Ukrainian music

  Volodymyr Hrabovskyi

  88-93

  • PDF (Українська)

• THE VIEWS OF HRYHORIY SKOVORODA THROUGH THE PRISM OF HUMANISTIC PSYCHOLOGY

  Tetjana Husarchuk

  94-101

  • PDF (Українська)

• Memory of history: Ivan Rachynskyi

  Oksana Davydova

  102-104

  • PDF (Українська)

• Contemporary musical offerings to Hryhoriy Skovoroda (to the 300th anniversary of his birth)

  Olena Derevianchenko

  105-111

  • PDF (Українська)

• Christmas songs of the “Ukrainian Gospel Songbook” (1933): source and textological aspects

  Olga Zosim

  112-119

  • PDF (Українська)

• Koliadka and shchedrivka in the village of Gubcha in Khmelnytskyi region: local tradition features

  Liudmyla Ivannikova

  120-123

  • PDF (Українська)

• New thinking as traditional: reactualization of the Western European legacy in Jacques Derrida’s conception

  Anna Ilyina

  124-134

  • PDF (Українська)

• The researches by scientific about Chernihiv-Siver region in the context of musicological regionalism

  Olena Kavunnyk

  135-140

  • PDF (Українська)

• The popularization of Mykola Lysenko’s work in interwar Czecho-Slovakia as a factor in the national and cultural identification of Ukrainians

  Hanna Karas

  141-145

  • PDF (Українська)

• Works of Mykola Lysenko in the Zoja Ghajdaj’s repertory

  Olena Katsalap

  146-150

  • PDF (Українська)

• Paradigm of Western European romantic aesthetics in Mykola Lysenko’s work

  Luba Kyyanovska

  151-155

  • PDF (Українська)

• Mykola Lysenko as a founder of national musical language

  Oleksandr Kozarenko

  156-159

  • PDF (Українська)

• Unknown Plenary Session of Composers’ Ukrainian Union in 1940 in the mirror of historical truth

  Marianna Kopytsia

  160-164

  • PDF (Українська)

• Mykola Lysenko and the Rylskyi family: the role of environment in the formation of personality

  Lidiya Korniy

  165-173

  • PDF (Українська)

• Figurative and musical personification of the chamber works of Bohdana Filtz (to the 90th anniversary of her birth)

  Valentyna Kuzyk

  174-181

  • PDF (Українська)

• “Every flower is a song for Ukraine”: a new edition of works for the children’s choir by Mykola Lastovetskyi

  Zoryana Lastovetska-Solanska

  182-185

  • PDF (Українська)

• Mykola Lastovetskyi’s choral music for children and youth (dedicated to the 75th anniversary of his birth)

  Zoryana Lelo

  186-189

  • PDF (Українська)

• Cantata “To the 50th Anniversary of Taras Shevchenko’s Death” by Mykola Lysenko in Ukrainian Musical Shevchenkiana

  Sergii Leontiev

  190-194

  • PDF (Українська)

• Viktor Matyuk’s cycle to the words of Heіnriсh Heine and formation of Ukrainian professional composer school in Galicia

  Mariya Lypetska

  195-200

  • PDF (Українська)

• Specific features of artistic and performing interpretation of Ukrainian sacred music of the 17th–18th centuries

  Vladyslav Lysenko

  201-205

  • PDF (Українська)

• Mykola Lysenko’s musical-performing reflection in the area of cross-cultural links and national identity

  Olga Lysenko

  206-215

  • PDF (Українська)

• Spiritual and Patriotic Determinants of Valentyn Sylvestrov’s Style in the Choral Cycle “Maidan. 2014”

  Olha Lihus

  216-222

  • PDF (Українська)

• Ukrainian events in the musical space of modern Estonia

  Inna Lisniak

  223-226

  • PDF (Українська)

• Genre and style innovations in the modern trumpet concerto (as Yevgen Stankovych’s “RhapsodyConcerto”)

  Luo Zhe

  227-231

  • PDF (Українська)

• The Chinese legend of the Princess Turandot in the European opera of the 18th century

  Ma Yujiao

  232-236

  • PDF (Українська)

• Propaganda manipulation on the scale of the sociolocus (on the example of creativity of the amateur folk choir in the Bereziv Rural House of Culture)

  Anna Myronenko

  237-240

  • PDF (Українська)

• Music as the spiritual credo of the artist: on the occasion of Yuri Lanyuk’s 65th anniversary

  Tetiana Molchanova

  241-247

  • PDF (Українська)

• Neo-romanticism in the chamber sonatas by Alexander Yakovchuk

  Tetyana Morgunova

  248-253

  • PDF (Українська)

• Where the silence ends: about the “unspeakable” in the music of Victoria Poleva “Bucha. Lacrimosa”

  Olena Naumova

  254-258

  • PDF (Українська)

• Seven choral compositions “Profiles of time” for organ by Volodymyr Guba

  Oleksandra Nimylovych

  259-266

  • PDF (Українська)

• Composing contribution of Isak Berkovych and Yuri Shchurovsky to the treasury of the Ukrainian piano pedagogical repertory

  Tetyana Omelchenko

  266-274

  • PDF (Українська)

• American woman with Ukrainian roots: sides of the talent of the outstanding pianist Maria Tsisyk

  Yuliia Osmachko

  275-280

  • PDF (Українська)

• Notes on the history of development and contemporary trends of estonian symphonic music

  Margus Pärtlas

  281-287

  • PDF (Українська)

• Modern composer’s techniques in the work of Mykola Lastovetskyi

  Nadia Rudavska, Oksana Rudavska

  288-292

  • PDF (Українська)

• Peter Turchaninov’s spiritual and musical heritage in the Music Library of Kyiv Theological Academy Choir

  Liudmyla Rudenko

  293-297

  • PDF (Українська)

• Antiphones to the Holy Virgin Mary as a Source of Inspiration for Modern Ukrainian Composers

  Tomasz OP Samulnik

  298-305

  • PDF (Українська)

• Lviv traditions of honoring Mykola Lysenko: 1903–2022

  Volodymyr Syvokhip

  306-309

  • PDF (Українська)

• Yury Shevchenko: brinks of creativity, heartfelt music (In memoriam)

  Iryna Sikorska

  310-314

  • PDF (Українська)

• Mykola Lysenko in the mirror of the civilizational challenges aroused by the epoch

  Olena Taranchenko

  315-318

  • PDF (Українська)

• Borys Kudryk’s work in the Ukrainian musical culture of the first half of the 20th century

  Natalia Toloshniak

  319-323

  • PDF (Українська)

• XIV National Music Award “Golden bell” (China). Victory of the Ukrainian vocal school

  Ganna Usova

  324-329

  • PDF (Українська)

• Mykhailo Verikivsky: logicalconstructive principles of musical thinking (on the example of piano preludes cycle)

  Kateryna Fadeyeva

  330-333

  • PDF (Українська)

• Piano cycles “Children’s scenes” by Robert Schuman and “24 children's plays” by Viktor Kosenko: imaginary and dramaturgical parallels

  Kateryna Fadeyeva, Viktor Ermakov

  334-338

  • PDF (Українська)

• Mykola Lysenko’s Jubilee Year on the background of Ukrainian realities

  Oksana Frait

  339-344

  • PDF (Українська)

• National and patriotic motives in the Vocal creativity of Vitaliy Kyreyko in the 2000s

  Viktoriia Tsiupak Karabulut

  345-348

  • PDF (Українська)

• Unpublished Collection of Choral Works by Yakiv Yatsynevych: Genre-Composition Characteristics, Specificity of the Musical Language

  Daryna Chamakhud

  349-359

  • PDF (Українська)

• Mykola Lysenko — founder of Ukrainian national music education

  Kira Shamayeva

  360-365

  • PDF (Українська)

• Artistic and imaginative concept of Vitaliy Kyreyko’s piano creativity

  Iryna Shesterenko

  366-371

  • PDF (Українська)

• Signal semantics in the works of Edgard Varèse: controversial use and perception in the conditions of the war in Ukraine

  Dmytro Shchyrytsia

  372-375

  • PDF (Українська)

• Anniversary of Mykola Lysenko: Sketches based on Olena Pchilka’s archive

  Iryna Shchukina

  376-383

  • PDF (Українська)

• Chinese National Instruments in Qin Wenchen’s music

  Yan Zheu

  384-389

  • PDF (Українська)