Reception of traditional image of Don Juan in modern Ukrainian drama
DOI :
https://doi.org/10.15587/2313-8416.2016.84548Mots-clés :
traditional plots and images, intertextuality, text, deconstruction, gameRésumé
In this paper the author explores the traditional plot and images (TPI) of Don Juan, representing in the play "Will chaste womanizer" by modern Ukrainian playwright Anatoliy Krym. It is considered the level of construction of traditional images and plots, features of postmodern poetics, intertextuality, irony and parody, game. Here the attention is paid to the meaning of the Text as a postmodern paradigm that defines the process of transformation of the traditional plots in a modern national literature
Références
Volkov (2004). Traditional plots and images: Research. Chernivtsi: City, 445.
Nenadkevych, E. (2002). Ukrainian version of the World theme of Don Juan in historical and literary perspective. Don Juan in the world context. Kyiv: Fact, 7–40.
Gasset, J. O. (2012). Reflections on Don Quixote. Kyiv: Spirit and Letter, 216.
Krym, A. (2001). Chaste womanizer’s will: Plays. Kyiv: Ukr. Writer, 448.
Novokhatskiy, D. I. (2003). The servant of the owner? The main areas of interaction between images of Don Juan and his servant. Humanities, 166–170.
Shalahinov, B. R. (2004). Foreign literature from antiquity to the beginning of the XIX century. Historical and aesthetic essay. Kyiv: Academy, 222–262.
Nyamtsu, A.; Hrom'yak, R. T. (Ed.) (2002). The image of Don Juan in world literature, moral-psychological antinomies of the behavioral and axiological complexes. Ternopil: Editorial and Publishing Department TDPU, 331.
Erll, A. (2011). Traumatic pasts, literary afterlives, and transcultural memory: new directions of literary and media memory studies. Journal of Aestetics and Culture, 3, 1–3. doi: 10.3402/jac.v3i0.7186
Fukuyama, F. (1992).The End of History the Last Man. New York: Free Press, 416.
Nora, P. (1989). Between Memory and History: Les Lieux de Mémoire. Representations, 26, 7–24. doi: 10.2307/2928520
Mazlish, B. (2006). The new global history. New York: Routledge, 131.
Téléchargements
Publié-e
Numéro
Rubrique
Licence
(c) Tous droits réservés Marija Gutsol 2016
Cette œuvre est sous licence Creative Commons Attribution 4.0 International.
Our journal abides by the Creative Commons CC BY copyright rights and permissions for open access journals.
Authors, who are published in this journal, agree to the following conditions:
1. The authors reserve the right to authorship of the work and pass the first publication right of this work to the journal under the terms of a Creative Commons CC BY, which allows others to freely distribute the published research with the obligatory reference to the authors of the original work and the first publication of the work in this journal.
2. The authors have the right to conclude separate supplement agreements that relate to non-exclusive work distribution in the form in which it has been published by the journal (for example, to upload the work to the online storage of the journal or publish it as part of a monograph), provided that the reference to the first publication of the work in this journal is included.
