Concert performance of Mykola Fomenko’s works and their scientific publicistic evaluation (to the 130th anniversary of the composer’s birthday)
DOI:
https://doi.org/10.31318/2786-8877.8.2025.355513Keywords:
composer Mykola Fomenko, concert performance, sound recordings, scientific and journalistic evaluationAbstract
The relevance of the study is due to the attention paid to the creative life of the Ukrainian composer Mykola Fomenko (1894–1961) during his second emigration period in the USA.
Main objective of the study and its scientific novelty lies in the comprehensive coverage of the concert performance of Mykola Fomenko’s works and their scientific and journalistic evaluation.
Methodology. The following research methods were used in the article: historical-chronological method — to consider the issues of the life and work of composer M. Fomenko, covering the time period of the second half of the 20th century and the spatial dimension (Ukraine, diaspora in the world); axiological — to determine the value of the creative achievements of Ukrainian composers, poets and performers; culturological — to present the contribution of figures of musical culture to the Ukrainian treasury.
Results / findings and conclusions. The concert performance of M. Fomenko’s works and their scientific and journalistic evaluation are highlighted. For this purpose, the musicological and journalistic literature of authors from Ukraine (G. Karas, G. Prykhodko, M. Chornobai) and the diaspora (V. Vytvytskyi, P. Volyniak, D. Gordynska-Karanovych, L. Zhuk, P. Matsenko, G. Lagodynska-Zaleska, V. Revutskyi, R. Savytskyi. A. Rudnytskyi) was analyzed, which provides a general description of the composer’s work and the performance features of a particular work. It is proven that M. Fomenko’s compositional heritage was relevant in the second half of the 20th century and was performed by famous performers and groups of the Ukrainian diaspora in the USA, Canada, and Austria. It has been established that the composer’s works were in the repertoire of diaspora singers Yosyp Goshulyak, Ivan Zadorozhnyi, Lubomyr Matsyuk, Mykhailo Minskyi, Izabela OrlovskaFomenko, Lev Reynarovych, Eva Stolyarchuk-Bims, pianists Oksana Bryzhun-Sokolyk, Daria Gordynska-Karanowych, Lyuba Zhuk, Vadym Kipa, Roman Savytsky, violinists Volodymyr Tsisyk, Oksana Simowych, cellist Khrystia Kolessa, T. Shevchenko Bandurist Chapel from Detroit, choir of St. Barbara’s Church in Vienna under the direction of A. Hnatyshyn, Detroit Ukrainian Millennium Choir, Warren Symphony Orchestra. Recordings of individual works by the composer have been discovered. It has been proven that M. Fomenko’s piano collection “My Rainbow” is used in the modern pedagogical process in Ukraine. The article is dedicated to the 130th anniversary of the composer’s birth.
The prospects for further scientific research on the topic of the article lie in the musicological understanding of the problems of performing M. Fomenko’s works, their actualization in concert performance and the pedagogical process.
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