Theatricalization of sociocultural communication: methodological substantiation of the research approach

Authors

DOI:

https://doi.org/10.15587/2313-8416.2017.106701

Keywords:

social communication, theatricality, method, discourse, project management, role, image

Abstract

It is shown that many types of sociocultural communication have the features of theatricality. It is considered theatricalization not only as a form of communication, but also as a paradigm in the research approach. It is methodological based on two plans: on examples of transfer of theatrical terminology to non-theatrical spheres and in correlation with systems approach

Author Biography

Lada Prokopovich, Odessa National Polytechnic University Shevchenko ave., Odessa, Ukraine, 65044

PhD, Associate Professor

Department of Art History and Cultural Studies

References

Pochepcov, G. G. (2003). Teoriya kommunikacii. Moscow: Refl-buk; Kyiv: Vakler, 652.

Sokolov, A. V. (2002). Obshchaya teoriya social'noy kommunikacii. Sankt-Peterburg: Izd-vo Mihaylova V. A., 461.

Zotov, V. V. (2007). Stanovlenie informacionno-kommunikativnoy sredy sovremennogo obshchestva: sociologicheskiy analiz institucional'nyh transformaciy. Kursk: Kurs. gos. tekhn. un-t, 246.

Masi, N. (2013). Kultura komunikatsiina abo komunikatyvna: osmyslennia ta rozmezhuvannia poniat. Arkadiia, 2 (43), 50–55.

Shtain, O. (2013). Ryzoma kak topos novoi kommunykatyvnoi realnosty. Arkadiya, 1 (36), 16–18.

Bakanurskiy, A. G. (2013). Kommunikativnye aspekty teatral'nogo spektaklya. Kherson: Grin' D. S., 276.

Ovcharenko, T. (2015). Kommunikativnye vozmozhnosti teatral'noy kukly v prostranstve muzeya. Arkadiya, 3 (44), 19–24.

Davydov, I. S. (2007). Teatral'nost' kak fenomen kul'tury. Izvestiya Ros. gosud. ped. un-ta im. A. I. Gercena, 61–65.

Buvalets, O. O. (2013). Teatralnist i teatralizatsiia v suchasnomu kulturolohichnomu dyskursi. Kultura Ukrainy, 43, 20–23.

Maksymenko, M. (2010). Muzeinyi performans yak zasib komunikatsii, peredachi kulturno-informatsiinoho povidomlennia. Arkadiya, 3 (29), 25–29.

Chebotnikova, T. A. (2012). Rol'-maska: usloviya realizacii i neytralizacii. Vestnik Orenburgskogo gosud. ped. un-ta, 2 (2), 74–80.

Prokopovich, L. (2016). Visualization of cultural identity through costume jewelry as a form of theatricality of everyday life. ScienceRise, 11 (28), 15–19. doi: 10.15587/2313-8416.2016.82838

A. A. Gricanov (Ed.) (2003). Noveyshiy filosofskiy slovar'. Moscow: Knizhnyy Dom, 1280.

Kassirer, E. (1998). Poniattia symvolichnoi formy v strukturi pro dukh. Kulturolohiia XX stolittia, 1, 37–66.

Lotman, Yu. M. (1992). Teatr i teatral'nost' v stroe kul'tury nachala XIX veka. Vol. 1. Izbrannye stat'i. Tallinn: Aleksandra, 269–286.

Andreeva, I. M. (2002). Teatral'nost' v iskusstve. Rostov-na-Donu, 241.

Mazur, I. I., Shapiro, V. D., Ol'derogge, N. G. (2004). Upravlenie proektami. Moscow: Omega-L, 664.

Rol' (iskusstvo). Wikipedia. Available at: https://ru.wikipedia.org/wiki/Роль_(искусство)

Bakanurskiy, A. G., Ovchinnikova, A. P. (2007). Sovremennyy teatral'no-dramaticheskiy slovar'. Odessa: Studiya «Negociant», 340.

Sherstyuk, O. I., Oganov, A. V. (2014). Rolevaya paradigma formirovaniya komandy proekta. Upravlinnia rozvytkom skladnykh system, 20 (1), 97–101.

Sherstyuk, O. I., Gogunskiy, V. D. (2013). Imperativ kompetentnosti ili ravnovesie roley v komande proekta. Upravlenie proektami: sostoyanie i perspektivy. Nikolaev: NUK, 390–391.

Tolkovyi slovar' Efremovoy. Available at: http://www.efremova.info/

Prokopovich, L. “Denim jewelry” in the context of theatricality of everyday life. ScienceRise, 4 (33), 22–26. doi: 10.15587/2313-8416.2017.99020

Prokopovich, L. (2017). Geymery: popytki imidzhevoy vizualizacii subkul'tury. Aktualni doslidzhennia v sotsialnii sferi. Odesa: FOP Bondarenko M. O., 25–27.

Published

2017-07-31

Issue

Section

Social communication