ETNOSEMIOTYKA SPIRITUAL MANUSCRIPT HERITAGE UKRAINE – GREECE. METHODS SIGNS AND SYMBOLS IN FANCY PORTRAIT MINIATURES
DOI:
https://doi.org/10.32461/2226-0285.1.2015.147789Keywords:
etnosemiotyka, ornamental painting, ethnic, chronological and hierarchical lines of researchAbstract
The article provides a technique to study and identify Slavic (Ukrainian) manuscripts of the total array manuscripts Ukraine and Greece. Pending the results of the study involved etnosemiotychnyy method through external design manuscripts using ornamental painting.
Addressing the issues of concurrency and features of the spiritual culture of Ukraine and Greece XVII-XVIII centuries.,And examining manuscripts of the two countries, we can not clear the facts connected with the outside manuscript. Externally finish the book can be done first, and often even final conclusions on its association with a sample of a cultural tradition, religion, ethnic group, nation, chronological limits (century) hierarchy. The main proponents of external decoration of manuscripts are elements of painting (portrait miniature), iconography (separated LA T-K. In a separate category because of the pronounced differences in this case) ornamental painting. For this study selected ornamental painting as a vivid exponent identify features and differences manuscripts Ukraine and Greece. Based on the above, we can see that the theme of this research is relevant and scientifically appropriate.
For this study the method chosen semiotically decorative and semiotic-symbolic comparisons. A goal and objectives are: proof of the theory of semiotically decorative and semiotic and symbolic elements etnosemiotyky as comparisons to identify and determine the manuscripts as belonging to a particular ethnic group, nation, chronology and hierarchy. To work selected Greek and Slavic (Ukrainian) manuscripts, which have the same Orthodox religious basis and do not require a separate study on religious affiliation. Although in the evolution of ornamental art, especially in the XVI-XVIII centuries., Clearly traced Western "Catholic" influences.
Thus the novelty of this study is to examine the ornaments manuscripts Ukraine and Greece at an angle semiotic study of decorative and semantic meaning.
Nationalism and nation are together people who are determined by a common language, psychological structure, territory, material life and culture.
Etnosemiotyka – for Y. S. Stepanov – a young science that is developing rapidly. It so far that there is no generally accepted hypotheses. As in Western Europe and in USA conducted much research as part ethnography, entitled "Cultural and social anthropology". But the purpose of this study is not a review of anthropological ideas and research should be based on semantic-symbolic quests specifically ornamental painting portrait miniatures. The result of these studies should be the detection of manuscripts belonging to a particular ethnic group, nation, chronological boundaries and hierarchy.
Therefore, to further study outlines three distinct areas: 1) ethnic, 2) chronological; 3) hierarchical.
1) ethnic line of research manuscripts.
In the study of ethnic directly manuscripts immediately necessary to determine the range of ethnic groups who apply to intelligence. With the theme and purpose of the research shows that the main objects of this work is Ukraine and Greece. But remember that Ukrainian manuscripts are surrounded by Slavic codes. This powerful and Serbian manuscript heritage, the XVI century. headed among other traditions, especially on Mount Athos. This is Bulgarian manuscripts, often with controversial Ukrainian claims to traditional. It also Russian, Moldovan and Romanian-volashski and manuscripts that make up a large array of Balkan-Slavic cultural heritage called SLOVIANS'KA manuscripts.
To investigate the ethnic directly manuscripts should clearly realize that such ethnic group. For this there is a need to turn to the historical situation in which Ukraine and Greece were also Slavic world around them, and the social conditions of their united and distinguished. One of the first is a geopolitical factor that was of great importance for the development of life of these peoples. It nablyzhuvav them together and pushed, distinguished between these nations.
By purely ecclesiastical hierarchy manuscripts added distribution snappedcular term "Royal". Interestingly, purely ecclesiastical manuscript. This akafistnyk and even music (from the Byzantine notation). The manuscript is decorated with gold leaf. All the titles and the gold mark. Those poems that served the king – zolotofonni. Musical signs painted red vermilion and also filled with gold. The manuscript belongs to a certain king Filofteyu. The manuscript is kept in the National Library of Greece.This manuscript outwardly very different from other archetypes and has its own hierarchical niche.
Semiotics (from gr. Σεμειον – sign an intimation) examines the signs and significance of the system as a means of preservation, transmission and processing of information in human society, in nature and in man himself.
The combination of decoration and form the character ornaments which adorned the manuscript as Greek and Slavic writing.Decor – (from French. Décor, from Lat. Decorare – decoration) – a set of elements or characters that adorn the building or object (in this case the manuscript).
In the study of handwriting Fund of Ukraine and Greece via etnosemiotychnyh techniques able to identify three areas of study: 1) Ethnic, by signs and decor signs symbols that shape and pattern is an expression of a particular ethnic group; 2) Chronological direction using the external design ornaments and manuscripts of one ethnic group different ages. Result. Clearly traced the evolutionary processes of ornamental painting toward complications, skill, volume, etc; 3) Hierarchical line of research, in which all the manuscripts, the external factor design. To proponents of existing hierarchical direction, namely, parish, monastery, cathedral, episcopal added bright new look – a royal manuscript.
So etnosemiotyka, through ornamental, exterior design manuscripts, received a new research method Greco-Slavic Writing Foundation.
References
Апостолис-Каппадона Д. Словарь христианского искусства / Д. Апостолис-Каппадона; пер. с англ. – Челябинск: Урал LTD, 2005. – 272 с.
Белова О. С. Славянский бестиарий / О. С. Белова. – М.: Инарик, 2000. – 320 с.
Евсеева Л. М. Афонская книга образцов XV в. / Л. М. Евсеева. – М.: Индоик, 1998. – 381 с.
Жолтовський П. М. Художнє життя на Україні в XVI-XVIII ст. / П. М. Жолтовський. – К.: Наук. думка, 1983. – 179 с.
Запаско Я. П. Українська рукописна книга / Я. П. Запаско. – Львів: Вид. "Світ", 1995. – 478 с.
История русского орнамента X–XVI веков. – М.: Арт-Родник, 1997. – 32 с.
Расине А. Ш. А. Орнамент всех времён и стилей / А. Ш. А. Расине. – М.: Арт-Родник, 1997, т. 4. – 112 с.
Собрание византийских и древнерусских орнаментов, собранных и рисованных князем Гр. Гр. Гагариным. – СПб.: Фонд Ленинградская галерея АО "Норинт", 1993. – 50 табл.
Сміт Е. Національна ідентичність / Е. Сміт. – К.: 1994. – 296 с.
Степовик Д. В. Леонтій Тарасович і українське мистецтво Барокко / Д. В. Степовик. – К.: Наукова думка, 1986. – 233 с.
Степанов Ю. С. Семиотика / Ю. С. Степанов. – М.: Наука, 1971. – 167 с.
Терещенко-Кайдан Л. В. Ірмолой Гаврила Головні – унікальний пам’ятник української культури XVII-XVIII ст. : монографія / Л. В. Терещенко-Кайдан. – К., 2012. – 228 с.
Школа рисования: стили в искусстве. Орнаменты и декоративные мотивы. – М.: АСТ: Астрель, 2005. – 319 с.
Руський (український) орнамент XII ст. Лествиця Івана Лествичника та Євангелі 1161 р. – Рум’янцевський музей. – Москва.
Візантійський орнамент ΧΙΙ ст. Новий заповіт. – СПб. – Зібрання імператорської публічної бібліотеки.
Руський (український) орнамент XIII ст. Архангельське зібрання. – Москва.
Російський (слов’янський) орнамент // Канонник XVI ст. Бібліотека Троїце-Сергієвої лаври. – Москва, Росія.
Візантійський орнамент ΧΙ ст. // Збірка. – Національна бібліотека Франції у Парижі.
Візантійський орнамент ΧΙΙ ст. // Збірка. – Національна бібліотека Франції у Парижі.
Візантійський орнамент ΧΙΙ ст. // Збірка. – Національна бібліотека Франції у Парижі.
Акафісник EBG 2455.
Apostolis-Kappadona D. Slovar' khristianskogo iskusstva / D. Apostolis-Kappadona; per. s angl. – Cheliabinsk: Ural LTD, 2005. – 272 s.
Belova O. S. Slavianskii bestiarii / O. S. Belova. – M.: Inarik, 2000. – 320 s.
Evseeva L. M. Afonskaia kniga obraztsov XV v. / L. M. Evseeva. – M.: Indoik, 1998. – 381 s.
Zholtovskyi P. M. Khudozhnie zhyttia na Ukraini v XVI-XVIII st. / P. M. Zholtovskyi. – K.: Nauk. dumka,
– 179 s.
Zapasko Ya. P. Ukrainska rukopysna knyha / Ya. P. Zapasko. – Lviv: Vyd. "Svit", 1995. – 478 s.
Istoriia russkogo ornamenta X-XVI vekov. – M.: Art-Rodnik, 1997. – 32 s.
Rasine A. Sh. A. Ornament vsekh vremen i stilei / A. Sh. A. Rasine. – M.: Art-Rodnik, 1997, t. 4. – 112 s. 8. Sobranie vizantiiskikh i drevnerusskikh ornamentov, sobrannykh i risovannykh kniazem Gr. Gr. Gagarinym. – SPb.: Fond Leningradskaia galereia AO "Norint", 1993. – 50 tabl.
Smit E. Natsionalna identychnist / E. Smit. – K.: 1994. – 296 s.
Stepovyk D. V. Leontii Tarasovych i ukrainske mystetstvo Barokko / D. V. Stepovyk. – K.: Naukova dumka, 1986. – 233 s.
Stepanov Iu. S. Semiotika / Iu. S. Stepanov. – M.: Nauka, 1971. – 167 s.
Tereshchenko-Kaidan L. V. Irmoloi Havryla Holovni – unikalnyi pamiatnyk ukrainskoi kultury XVIIXVIII st. : monohrafiia / L. V. Tereshchenko-Kaidan. – K., 2012. – 228 s.
Shkola risovaniia: stili v iskusstve. Ornamenty i dekorativnye motivy. – M.: AST: Astrel', 2005. – 319 s.
Ruskyi (ukrainskyi) ornament XII st. Lestvytsia Ivana Lestvychnyka ta Yevanheli 1161 r. –
Rumiantsevskyi muzei. – Moskva.
Vizantiiskyi ornament ΧΙΙ st. Novyi zapovit. – SPb. – Zibrannia imperatorskoi publichnoi biblioteky.
Ruskyi (ukrainskyi) ornament XIII st. Arkhanhelske zibrannia. – Moskva.
Rosiiskyi (slovianskyi) ornament // Kanonnyk XVI st. Biblioteka Troitse-Serhiievoi lavry. – Moskva, Rosiia.
Vizantiiskyi ornament ΧΙ st. // Zbirka. – Natsionalna biblioteka Frantsii u Paryzhi.
Vizantiiskyi ornament ΧΙΙ st. // Zbirka. – Natsionalna biblioteka Frantsii u Paryzhi.
Vizantiiskyi ornament ΧΙΙ st. // Zbirka. – Natsionalna biblioteka Frantsii u Paryzhi.
Akafisnyk EBG 2455.
Downloads
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
