Composition in painting as a discipline of the system of art education in the historical context
DOI:
https://doi.org/10.32461/2226-0285.1.2018.148261Keywords:
Composition, painting, school, geometry, canon, historyAbstract
The purpose of the article is to analyze the main stages of the development of the composition in painting, to determine the relationship between different art schools in the continuous process of artistic creation and to implement modern teaching methods in their achievements. The methodology of work is based on the application of such scientific methods as analytical, structural for the study of the concept of artistic education; historical-chronological in the definition of historical periods of the birth and development of the arts education system; and art criticism in the study of art schools and teaching methods of painting disciplines. Scientific novelty consists of a comprehensive understanding of the quality of the purposes of teaching the composition in painting and the latest searches and finds that should not contradict each other. Conclusions. The analysis made it possible to state: the comprehensive study of the classical heritage in the history of painting and composition, in particular, contributes to the training of skilled artists of all specializations in the system of higher art education and promotes its further development. The mathematical basis of works of art and the combination of constructively analytical teaching methods with the plot-like principle, as well as the study of composition theory, is essential.
References
Панорама искусства. № 8. М.: Советский художник,1985.36 с.
Померанцева Н. А. Эстетические основы искусства. Древнего Египта. Москва: Искусство, 1985. C. 111–146.
Чубарова А. П, Киньков Г.И., Давыдова Л. И. Античные мастера скульпторы и живописи. Ленинград: "Искусство" Ленинградское отделение, 1986. С. 66-67 с.
Шорохов Е.В. Основы композиции. Москва: Просвещение", 1979. 303 с.
Леон Баттиста Альберти. Москва: Наука, 1977. 192 с.
Алпатов М. Художественные проблемы итальянского Возрождения. Москва: Искусство, 1977. 216 с.
Ростовцев Н.Н. История методов обучения рисованию. Москва: Просвещение, 1981. 104 с.
Степовик Д. В. Українська графіка XVI– XVIII століть. Київ: Наукова думка, 1986. 120с.
Фаворский В. А. Об искусстве, о книге, о гравюре. М.: Книга, 1986.С. 41-64.
Ковалев Ф. В. Золотое сечение в живописи. Киев: Выща школа, 1989. 147 с.
Наука і культура: Щорічник. Випуск 21. Київ: Т–во "Знання", 1987. 370 с.
Образотворче мистецтво. № 6. Київ: Спілка художників України. 1991. 39с.
Михайленко В.Є, Яковлєв М. І. Основи композиції. Київ: Каравела, 2004. 240 с.
Білецький П. Скарби нетлінні. Київ: Мистецтво, 1974. 14с.
Рубан-Кравченко В. Мистецькі роди України. Кричевські і українська художня культура. Василь Кричевський. XX ст. Київ: Криниця, 2004. 249с.
Степовик Д. Візантологія. Жовква: Місіонер, 2013. 221с.
История Византии: в 3 т. Т.1. Москва: Наука,1967. 285с.
Кун М. А. Міфи Давньої Греції. Київ: Котигорошко. 1993. 270 с.
Panorama of art (1985). M.: "Sovetskij hudozhnik", 8 [in Russian].
Pomerantseva, N.A. (1985). Aesthetic foundations of art. Ancient Egypt. Moskwa: Iskusstvo), 111-146 [in Russian].
Chubarova, A.P., Kinkov. G.I., Davydova L.I. (1986) Ancient masters of sculptors and paintings. Leningrad: "Iskusstvo" Leningradskoe otdelenie [in Russian].
Shorokhov, E.V. (1979). Basics of composition. Moskwa: Prosveshenie [in Russian].
Leon Battista Alberti (1979). Moskwa: Nauka [in Russian].
Alpatov, M. (1977). Artistic problems of the Italian Renaissance. Moskwa: Iskusstvo [in Russian].
Rostovtsev, N.N. (1981). History of methods of teaching drawing. Moskwa: Prosveshenie [in Russian].
Stepovik, D.V. (1986). Ukrainian graphics of the 16th-18th centuries Kyiv: Naukova dumka [in Ukrainian].
Favorsky, V.A. (1966). About art, about the book, about engraving. M.: Kniga [in Russian].
Kovalev, F. V. (1989). The Golden Section in Painting. Kiev: Vyshha shkola [in Ukrainian].
Science and Culture (1987). Kyiv: T–vo "Znannia, 21 [in Ukrainian].
Art (1991). Kyiv: Spilka khudozhnykiv Ukrainy, 6 [in Ukrainian].
Mikhailenkoб V.E., Yakovlev, M.I. (2004). Basis of composition Kyiv: Karavela [in Ukrainian].
Biletsky, P. (1974). Treasures are incorrect. Kyiv: Mystetstvo [in Ukrainian].
Ruban-Kravchenko, V. (2004). Art groups of Ukraine. Krychevsky and Ukrainian artistic culture. Vasyl Krichevsky. XX century. Kiev: Krynytsia [in Ukrainian].
Stepovik, D. (2013). Viasantology. Zhovkva: Misioner [in Ukrainian].
The history of Byzantium: in 3 t. T.1. (1967). M .: Nauka [in Russian].
Kuhn, M.A. (1993). Myths of Ancient Greece. Kyiv: Kotyhoroshko [in Ukrainian].
Downloads
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
