Gold embroidery and typology of tow stitches
DOI:
https://doi.org/10.32461/2226-0285.1.2018.148336Keywords:
Golden sewing, towels, embroidery, decorative and applied artsAbstract
The purpose of the article is to identify the features of gold thread in Ukrainian decorative art, to determine the approaches to the classification and characteristics of the main and finishing sutures in the process, the disclosure of the typology of towels. The methodology of the study involves applying to comparative and typological methods on the basis of interdisciplinary (cultural and artistic) approaches, to general scientific methods (analysis, historical-analytical, synthesis, comparative, analogy). The scientific novelty of the work is to identify the similarity and identity of towels and seams in embroidery with gold thread. Conclusions Embroidery with gold and silver threads and embroidery with towel seams reproduces and preserves the oldest traditions and motifs of sewing, enriched with new ideas of artistic and expressive methods and means, extends a significant influence on decorative and applied arts. The study of embroidery art suggests that it reflected the most complete and brightest artistic culture, aesthetic and spiritual thinking of the Ukrainian people.
References
Анри де Мюрал. История декоративно-прикладного искусства от древнейших времен до наших дней. Москва; 1982. 142 с.
Вишивка козацької старшини ХVІІ–ХVІІІ ст.: Каталог колекції Чернігівського історичного музею ім. В. В. Тарновського. Київ: Родовід, 2001. 200 с.
Новицька М. Вишивання і гаптування // Історія українського мистецтва: у 6 т. Т. 3: Мистецтво другої половини ХVІІ–ХVІІІ ст. Київ, 1968. С. 372–380.
Новицька М. "Золотна вишивка", "Орнамент золотної вишивки Київської Русі" // Статті в журналах. 1960.
Савицький П. Об украинской вышивке ХVІІІ века и современном ее возрождении // Черниговская земская неделя. 1914. № 24, 25.
Селівачов М. Лексикон української орнаментики (іконографія, номінація, стилістика, типологія). Ніжин: Аспект-Поліграф, 2005, 260 с.
Спаська Є. Скатерті гетьмана Івана Скоропадського // Чернігівський історичний музей ім. В. В. Тарновського. 1926.
Таранущенко С. Пам’ятки мистецтва старої Слобожанщини. Харків, 1922.
Anri de Mural. (1982). The history of arts and crafts from the earliest times to the present. [in Russian].
Lace of the Cossack elder of the seventeenth and eighteenth centuries. Catalog of the collection of the Cher-nihiv Historical Museum named after. V. V. Tarnovsky. (2001). [in Ukrainian].
Novitskaya M. (1968). Embroidery and wrapping History of Ukrainian art: in 6 t. – Vol.3: Art of the second half of the seventeenth and eighteenth centuries [in Ukrainian].
Novitskaya M. (1960). "Gold embroidery", "Ornament gold embroidery of Kyivvan Rus" Articles in jour-nals [in Ukrainian].
Savitskyi P. (1914). About Ukrainian embroidery of the XVIII century and its modern rebirth Chernigov Zemsky week [in Russian].
Selivachov M. (2005). Lexicon of Ukrainian ornamentation (iconography, nomination, stylistics, typology) [in Ukrainian].
Spaska E. (1926). Scattered Hetman of Ivan Skoropadsky Chernigov Historical Museum named after. V. V. Tarnovsky [in Ukrainian].
Taranushchenko S. (1922). Pam, pieces of art of the old Slobozhanshchyna [in Ukrainian].
Downloads
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
