Regularities of glam metal essence reflection in the music bands’ art vision and its constituents
DOI:
https://doi.org/10.32461/2226-0285.1.2018.148348Keywords:
Art vision, music band, album art, glam metal, styleAbstract
Purpose of the article involves elucidation of key features of the glam metal style and ways of their interpretation in art vision of the music band. Methodology includes methods of comparison, abstraction, analysis and synthesis, induction, historical and logical approaches. Scientific novelty lies in trying to systemize information about glam metal style features and to form ways of their reflection in accompanying products of the album release. Conclusion. Research results prove that except for al-bum conception visualizing art vision of the music album has a chain of other functions, namely associative, symbolic, advertising and self-identification. During its formation it’s been influenced on by the style, which band is working in. No doubt the reflection of every style in the art vision has own unique features. Particularly glam metal distinguishes by such peculiarities as contempt to rules, nonconformity, poetization of everyday life fragments and anesthetization of imperfection.
References
Бірюков Ю. М. Графічний художній образ як процес пізнання навколишньої дійсності. Ми-стецтвознавство. Архітектура. Харків: Вісник ХДАДМ, 2011. № 5. С. 95-97.
Chapman C. Common design styles used in album artwork. Web Design Blog, 2011. URL: https://www.webdesignerdepot.com/2011/02/common-design-styles-used-in-album-artwork/.
Максименко Ю., Синенький Д. Теоретичні засади пізнання художнього образу. Психологія і сус-пільство. Одеса: ПНПУ ім. Ушинського, 2009. № 4. С. 181-185.
Stillman N. Cry Tough: Glam Metal on the Sunset Strip. East of Borneo, 2011. URL: https://eastofborneo.org/articles/cry-tough-glam-metal-on-the-sunset-strip/.
Овдієнко Л. Н. Трансцензус художнього образу: Соціально-психологічний контекст. Сучасні про-блеми дослідження, реставрації та збереження культурної спадщини. К.: Інститут проблем сучасного мистецтва НАМ України, 2014. №10. С. 209-218.
Сотська Г. І., Шмельова Т. В. Словник мистецьких термінів. Херсон: Стар, 2016. 72 с.
S. Neil, N. Sixx, T. Lee, V. Neil, M. Mars. The Dirt: Confessions of the World’s Most Notorious Rock Band. New York: HarperCollins, 2001. 431 p.
The new wave of Swedish sleaze. The Rockpit, 2010. URL: http://www.therockpit.net/Articles/ SWEDISHSLEAZE1.php.
The story behind Mötley Crüe’s Dr. Feelgood album artwork. Louder, 2016. URL: https://www.loudersound.com/features/the-story-behind-motley-crue-s-dr-feelgood-album-artwork.
Ткаченко А. В. Художній образ як ключове поняття в естетичному вихованні. Наука і освіта. Одеса: ПНПУ ім. Ушинського, 2016. №12. С. 63-67.
Щербань О. О. Символічна функція художнього образу. Філософія. Психологія. Педагогіка. К.: Вісник НТУУ КПІ, 2010. №2. С. 65-68.
Biryukov U. M. Graphic art vision as a process of cognition of the surrounding reality. Art history. Archi-tecture. Kharkiv: KSADA journal, 2011. № 5. P. 95-97 [In Ukrainian].
Chapman C. Common design styles used in album artwork. Web Design Blog, 2011. URL: https://www.webdesignerdepot.com/2011/02/common-design-styles-used-in-album-artwork/.
Maksymenko U., Synenkyi D. Theoretical foundations of the cognition of art vision. Psychology and so-ciety. Odesa: Ushynskoho SNPU, 2009. № 4. P. 181-185 [In Ukrainian].
Stillman N. Cry Tough: Glam Metal on the Sunset Strip. East of Borneo, 2011. URL: https://eastofborneo.org/articles/cry-tough-glam-metal-on-the-sunset-strip/.
Ovdiienko L. N. Art vision transcension: Socio-psychological context. Actual problems of research, res-toration and preservation of cultural heritage. К.: Institute of modern art problems Ukraine NAA, 2014. №10. P. 209-218 [In Ukrainian].
Sotska H. I., Shmelova T. V. Dictionary of art apellations. Kherson: Star, 2016.
p [In Ukrainian].
S. Neil, N. Sixx, T. Lee, V. Neil, M. Mars. The Dirt: Confessions of the World’s Most Notorious Rock Band. New York: HarperCollins, 2001. 431 p [In English].
The new wave of Swedish sleaze. The Rockpit, 2010. URL: http://www.therockpit.net/Articles/ SWEDISHSLEAZE1.php.
The story behind Mötley Crüe’s Dr. Feelgood album artwork. Louder, 2016. URL: https://www.loudersound.com/features/the-story-behind-motley-crue-s-dr-feelgood-album-artwork.
Tkachenko A. V. Art vision as the main concept in the aesthetic education. Science and education. Odesa: Ushynskoho SNPU, 2016. №12. P. 63-67 [In Ukrainian].
Shcherban О. О. Symbolic function of the art vision. Philosophy. Psychology. Pedagogics. К.: NTUU KPI journal, 2010. №2. P. 65-68 [In Ukrainian].
Downloads
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
