Energy-technical methods of partnership (duetness) in ballroom dances
DOI:
https://doi.org/10.32461/2226-0285.1.2017.148959Keywords:
choreography art, ballroom dance, duet image, soul and body energetics, partnership, technical actionsAbstract
The purpose of the work is to reveal and analyze the energy-technical methods in ballroom choreography, which promote the revealing of duet image in a dance. Methodology of the research is based on the principles of theory and practice unity, objectivity and complexity of the research, projective methods and methods of learning and generalization of progressive choreographic experience. Scientific novelty consists in focusing on the role of energy and technique during fulfilling a choreographic duet, which is a guarantee of embodiment of artistic imagery in a ballroom dance and in revealing the meaning of partnership for the higher choreographic education system. Conclusions. It was proved that the energetic contact between partners influences the technique of fulfilling figures, gesture coordination, sense of rhythm, which transfers duetness from the format of simple mechanics into the format of natural plastique, which can be achieved with help of maximal sense effect between feminine and masculinity. The study points out that with the help of these conditions peculiar technique methods turn into the “cells” of an integrated duet image, which is especially noticeable through the example of ballroom choreography art.
References
Дегтярева Е.Ю. Популяризация бальных танцев и перспективы их дальнейшего развития / Е.Ю. Дегтярёва // Вестник МГУКИ. - 2012. - №3 (47). - С. 115-119.
Захаров Р.В. Слово о танце / Р.В. Захаров. - М.: Молодая гвардия, 1977. - 160 с.
Кошелев С. Биомеханика спортивного танца / С. Кошелев. - М.: ООО "Фирма Печатный двор", 2006. - 62 с.
Саратник А.С. Малые хореографические формы: понятие и классификация / А.С. Саратник, Н.А. Клименко // Инновационные технологии в науке и образовании: материалы V Междунар. науч. -практ. конф. (Чебо¬ксары, 27 март 2016 г.). В 2 т. Т. 1 / редкол.: О. Н. Широков [и др.]. - Чебоксары: ЦНС "Интерактив плюс", 2016. - № 1 (5). - С. 55-60.
Халивер Д. С. Тело танцора. Медицинский взгляд на танцы и тренировки / Д. С. Халивер. - М.: Новое слово, 2004. - 111 с.
Vermey R. Latin. Thinking, Sensing and Doing in Latin American Dancing / Ruud Vermey; published by K.Verlag GmbH, 1994. - 192 p.
Faina M, Bria S, Scarpellini E, Gianfelici A, Felici F. The energy cost of modern ballroom dancing. In: 48th Annual Meeting of the American College of Sports Medicine. Baltimore, Maryland, USA: Medicine and Science in Sports and Exercise 2001: S87
Winget, C.M., DeRoshia, C.W. and Holley, D.C. (1985) Circadian rhythms and athletic performance. Medicine and Science in Sports and Exercise 17, 498-516.
Degtyareva E. (2012) Promoting of ballroom dances and prospect of their further development. Bulletin of Moscow State University of culture and arts, № 3 (47), 115-119. [in Russian].
Zakharov R. V. (1977) Word about dance. M.: Young Guard. [In Russian].
Koshelev S. (2006) Biomechanics of sports dance. M. [In Russian].
Saratnik A., Klimenko N. (2016) Small choreographic forms: concept and classification. In “Innovative technologies in science and education”, vol. 1, № 1 (5), 55-60. [In Russian].
Haliver D. S. (2004) Dancer's body. Medical view of dances and trainings. M.: "The new word" [In Russian].
Vermey R. Latin. (1994) Thinking, Sensing and Doing in Latin American Dancing; published by K.Verlag GmbH. [In English].
Faina M, Bria S, Scarpellini E, Gianfelici A, Felici F. (2001) The energy cost of modern ballroom dancing. In: 48th Annual Meeting of the American College of Sports Medicine. Baltimore, Maryland, USA: Medicine and Science in Sports and Exercise: S87. [In English].
Winget, C.M., DeRoshia, C.W. and Holley, D.C. (1985) Circadian rhythms and athletic performance. Medicine and Science in Sports and Exercise 17, 498-516. [In English].
Downloads
Issue
Section
License

This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).