Taiwan's musical and cultural regionalism in relation to the European Bavarian regionalism analogy in German in the compositions of K. Orff

Abstract

The purpose of the article is a trailing of specifics of the interaction Taiwan regional music and European analogy, which have the world confession through honoring of C.Orff creative activity, forming  product  which emerges local-fоlklore and cultural-value layer of the regional bavarian heritage. The methodology of the work is the intonation approach, fixing unity music and speech factor that органично for the tradition of the music of China (refer to work Ma Way and others. The comparative method in methodological complex intonation theorizes gains the independent character - in spirit corresponding to the work of B. Asafiev and his followers in Ukraine. The special methodological sense has also worked Liu Bing Cjiang, raising the problem of spiritual-semantic determinism of cardinal style tumbling in world art and in culture as a whole. Scientific novelty of the study is determined by independance to theoretical idea of the comparison music regionalism of Taiwan within chinese music with regional output bavarian begin in german music of C.Orff. Conclusions. The Bavarian localization Pan-germany and world value of creative activity of C.Orff present touch to that cultural regionalism, which in the fullness of the history premises was realized on Taiwan as a part Chinese and, broader, far eastern civilization as a whole. And if world scales creative activity of C.Orff incomparable on volume and weight with the property of Ma Shu Long as chapters Taiwan schools in the music of China, that even so in presence there is and the general between named artist. Independence of local coloring in general national scale of art, manifestation artistic of regionalism as such that greatly renews the general national conquest of Chinese and German music art in the past century.