Formation of bachelor architects’ creative thinking
DOI:
https://doi.org/10.32461/2226-0285.1.2019.180799Keywords:
creative thinking, individual-psychological peculiarity, visual training, bachelor, architect, creative abilities, educational and creative activityAbstract
The purpose of the article is to characterize the basic methods and principles of forming the creative thinking of bachelors in the process of studying visual disciplines at the Faculty of Architecture of the National Academy of Fine Arts and Architecture, focused on the development of educational and professional activities of future architects. The methodology of the research is to apply analytical, comparative and systematic methods of research for the formation of bachelors-architects‘ creative thinking by means of visual training. To achieve the stated goal and to solve the tasks, the analysis of scientific and methodological sources, normative documents, a generalization of scientific and pedagogi- cal experience on the issues of professional training of future architects has been used. The scientific novelty of the study is that it is the first attempt of a systematic analysis of the study of the development of future architects‘ creative thinking in the process of studying visual disciplines, which is based on a personally oriented approach, namely: the use of methods and techniques of pedagogical influence in accordance with the creative possibilities of students in order to ensure their personal development; the concept of students‘ creative thinking as a dynamic continuous process of indi- vidual properties modification of professional qualities together with professional visual abilities, which takes place during active educational and creative activity is specified. Conclusions: on the basis of the scientific and methodologi- cal analysis of work on the research, the potential of professional disciplines in the development of bachelor-architects‘ creative thinking is revealed; it relies on the fact that productive educational activity requires the intensification of the corresponding psychological processes, in turn, it stimulates the development of creative abilities of the person neces- sary for this activity. It is specified that creative thinking is an individual-psychological feature associated with gifted- ness, creativity, creative potential and other creative qualities of the individual.
References
Кайдановська О.О. Академічний рисунок у системі професійної підготовки архітекторів // Науковий часопис Національного педагогічного університету імені М.П.Драгоманова. Серія 14. Теорія і методика мисте- цької освіти : Збірник наукових праць. Вип. 6 (11). Київ : НПУ, 2008. С. 19-25.
Ли Н. Рисунок: Основы учебного академического рисунка. Москва : Ексмо, 2008. 480 с.
Максимов О.Г. Рисунок в профессии архитектора: [учебное пособие по направлению "Архитекту- ра"], изд.2, испр. URSS, 2011. 416 с.
Рисунок для архитекторов / Магали Дельгадо Янес, Эрнест Редондо Домингез ; Перевод с испанско- го Ю. В. Севостьяновой ; Научный консультант О. Б. Антоненко. Москва : Арт-Родник, 2005. 191 с.
Кокорина Е. В. Архитектурный рисунок как форма проектного моделирования в основе профессио- нальных коммуникаций // Научный вестник Воронежского государственного архитектурно-строительного уни- верситета. Строительство и архитектура. 2011. ғ 2. С. 133-142.
Камінська О. Особливості змісту навчальних дисциплін у формуванні професійно ціннісних орієн- тацій майбутніх архітекторів // Педагогіка і психологія професійної освіти. 2011. ғ 4. С. 79-86.
Михайліна Ю. О. Психолого-педагогічні особливості організації процесу формування готовності майбутніх архітекторів до проектно-технічної діяльності // Вісник Житомирського державного університету імені Івана Франка. 2013. ғ 5 (71). С. 146-151.
Пономарев Я. А. К теории психологического механизма творчества // Психология творчества об- щая, дифференцированная, прикладная. 1990. ғ 2. С. 13-37.
Рибалка В. В. Психологія розвитку творчої особистості : навч. посіб. Київ : ІЗМН, 1996. 236 с.
Kaidanovska, O.O. (2008). Academic drawing in the system of professional training of architects. Naukovyy chasopys Natsionalnoho pedahohichnoho universytetu imeni M. P. Drahomanova. Kyiv : NPU, 6 (11), 19-25 [in Ukrainian].
Lee, N. (2008). Drawing: Fundamentals of Educational Academic Drawing. Moscow : Exmo [in Russian].
Maksimov, O.G. (2011). Drawing in the profession of architect. URSS, 416 [in Russian].
Domingez, E. R., Yanes, M. D. (2005). Drawing for Architects. Moscow : Art-Rodnik [in Russian].
Kokorina, E. V. (2011). Architectural drawing as a form of design modeling at the basis of professional communications. Nauchnyy vestnik Voronezhskogo gosudarstvennogo arkhitekturno-stroitelnogo universiteta. Stroitelstvo i arkhitektura, 2, 133-142 [in Russian].
Kaminska, O. (2011). Features of the content of educational disciplines in the formation of professional value orientations of future architects. Pedahohika i psykholohiya profesiynoyi osvity, 4, 79-86 [in Ukrainian].
Mykhailina, Iu. O. (2013). Psychological and pedagogical peculiarities of organization of the process of forming the readiness of future architects for design and engineering activities. Visnyk Zhytomyrskoho derzhavnoho universytetu imeni Ivana Franka, 5 (71), 146-151 [in Ukrainian].
Ponomarev, Ya. A. (1990). On the theory of the psychological mechanism of creativity. Psikhologiya tvorchestva obshchaya, differentsirovannaya, prikladnaya, 2, 13-37 [in Russian].
Rybalka, V. V. (1996). Psychology of the development of a creative person: teach. manual. Kyiv : IZMN [in Ukrainian].
Published
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).