Atlas Weekend - the largest music festival in Ukraine

Authors

  • Sviatoslav Berezhnyk

DOI:

https://doi.org/10.32461/2226-0285.1.2019.180832

Keywords:

Atlas Weekend, headliner, music festivals, line-up

Abstract

Purpose of the article is to analyze the history and practice of the «Atlas Weekend» festival, its cultural component and organizational differences from other major music festivals in Ukraine. Methodology. The methodology of the study: is the combination of biographical and textual analysis with the method of included observation. Scientific novelty. The author presents the social and communication characteristics and discloses the information principles of the organization of the festival "Atlas Weekend". His history and peculiarities of the artistic program are investigated, modern musical terminology is used in the research. Conclusions. The article analyzes the development of the largest musical festival in Ukraine. The achievements of the «Atlas Weekend» festival, the actual problems of the creative industry in the field of musical culture, are analyzed on the basis of Internet space and articles in specialized editions. The whole European cultural industry is built on the demand of consumers, artificially created and imposed by Western tendencies. Ukrainian festivals, although trying to adapt to the European festival space and  still remain too conservative for the European listener, and Western media have created the idea that Ukraine is not the best option for leisure. Such informational defamation has appeared on the side of the Western media, both during Euro 2012 and during the Eurovision 2017. The author presents the social and communication characteristics and discloses the information principles of the organization of the festival «Atlas Weekend». It explores its history and features with the use of modern musical terminology. The urgency of the study is due to the lack of sufficient information in Ukrainian scientific sources on the development of modern festival culture in Ukraine. We must admit that the masters of sciences are concentrated mainly at festivals of classical music, and do not explore poly-genres festivals at all.

Author Biography

Sviatoslav Berezhnyk

postgraduate, Kyiv National University Culture and Arts

References

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Sonevytsk Maria. The Freak Cabaret on the Revolution Stage: On the Ambivalent Politics of Femininity, Rurality, and Nationalism in Ukrainian Popular Music. Journal of Popular Music Studies. Volume 28. Issue 3. pp. 283 – 314.

References

Gancheva N. (2014). Musical and folklore festivals as a tourist resource of Bulgaria, In the collection: Research Activities in the Educational Space of the Region. Materials of the II Regional Scientific-Practical Conference: in 2 parts. Branch of FGBOOU VPO "Kuban State University" in Slavyansk-on-Kuban. pp. 8-11. [in Russian].

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Obukhova, N. (2011). Cultural industries in the context of socio-cultural changes (on the example of Ukrainian big cities), P. 14 [in Ukrainian].

Started Atlas Weekend 2017: What turned the free entrance, and other bright moments of the first day of the festival, Retrieved from: http://nv.ua/ukr/style/art/music_art/startuvav-atlas-weekend-2017-chim-obernuvsja- bezkoshtovnij-vhid-i-inshi-jaskravi-momenti-pershogo-dnja-festivalju-1401497.html [in Ukrainian].

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Sherstiuk, Mariia. (2016). Lingvo-cultural space of Ukrainian alternative music (music of independent Ukraine). Diplomová práce. Univerzita Karlova, Filozofická Faculty, Ústav východoevropských studií. Vedoucí práce Sverdan, Tatiana, pp. 3-94 [in Ukrainian].

Sonevytsk Maria. The Freak Cabaret on the Revolution Stage: On the Ambivalent Politics of Femininity, Rurality, and Nationalism in Ukrainian Popular Music. Journal of Popular Music Studies. Volume 28. Issue 3.pp. 283 – 314 [in English].

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Published

2018-10-08

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