The cultural and historical progressesof pop-music art directions

Authors

  • Marianna Druzhinets

DOI:

https://doi.org/10.32461/2226-0285.1.2019.180951

Keywords:

pop music art, pop art, forms, styles and genres of pop music

Abstract

The aim of the article is to consider the cultural and historical evolution of pop music on the basis of scien- tific research, to explicate the concept of " pop modern art" in the scientific aspect of art; to characterize the specifics of the trends of pop music art; to highlight the cultural and historical evolution of pop music art on the basis of scientific research. The methodology of the research includes comparative, historical and logical methods, analytical methods. This methodological approach allows us to reveal and analyze the cultural and historical progressions of pop music art, genre of pop art. Scientific novelty. For the first time in this article we tried to determine the directions and ways in which our pop art can develop. However, the insufficient development of the topic and the tasks and features of the mu- sical art in science makes some provisions open to discussion, the solution of which is important for contemporary cul- tural life. Conclusions. Musical art is a reflection of the traditions of the Ukrainian people, the peculiarities of mentality, consciousness of the Ukrainians. Each of the pop art styles and genres has specific artistic features and means of expressiveness; nowadays pop music art is characterized by versatility, a peculiar transformation of the style struc- ture. It preserves folk roots, ethnic traditions and occupies a separate place as an independent phenomenon of artistic culture in the second half of the XIX and the beginning of XX century. Thus, in the second half of the 19th and the be- ginning of the 20th century, musical genres of their own, formed by the unity of musical style, were formed and estab- lished. During the last two centuries, the national musical stage was formed in a broad, multifaceted direction of art.

Author Biography

Marianna Druzhinets

teacher of the pop music departmen of Kiev Municipal Academy of Pop and Circus Arts, the candidate of National Academy of Management of Culture and Arts

References

Барна Н. В. Імеджмейкерство як різновид мистецької діяльності в аспекті масової культури. Мистецтвознавчі записки. Київ, 2010. Вип. 10. С.136-144.

Быкова Э.В. Рок-музыка в контексте проблем взаимодействия музыкальных культур. Народное тво- рчество: перспективы развития и формы социальной организации: Сб. науч. тр. НИИ культуры. Москва, 1990. С. 109-133.

Дунаевский И.Й. Назревшие вопросы легкой музыки. Советская музыка. 1955. ғ 3. С. 14-25.

Естрада. Українська Радянська енциклопедія. Київ: Гол. ред. УРЕ, 1979. Т. 4.

Клитин С.С. Эстрада и научно-технический прогресс. Овладевая театральной профессией. Москва: Искусство, 1990. С. 81-86.

Кнабе Г.С. Феномен рока и контр-культура. Вопросы философии. 1990. ғ 8. С. 39-61.

Козаченко І. Попса і мистецтво піснетворення (в Україні). Час / Time. 1997. ғ 43. С. 23-26.

Кожевников С. Эстетизация повседневности в идеологии контркультуры. Социологический журнал. 2004. ғ 3-4. С. 47-68.

Кузнецов Е.М. Из прошлого русской эстрады. Москва: Искусство, 1958. 365 с.

Матвійчук А.М. Хай живе рок-опера. Музика. 1992. ғ 6. С. 9-10.

Русская советская эстрада. Oчерки истории. Ответ. ред., доктор истор. наук, проф. Е. Уварова. В 3-х томах, Москва: Искусство, 1976, 1977, 1981.

Цукер А. Проблемы взаимодействия академических и массовых жанров в современной советской музыке: автореф. дис. на соискание науч. степ. д-ра искусствоведения. - Москва, 1991. 48 с.

Щеглов А. БИС комментариев. Хип-хоп. Неон. ғ7. 2002. С. 33-37.

Эйзенштейн С. Монтаж аттракционов. К постановке «На всякого мудреца довольно простоты» А. Н. Островского в московском Пролеткульте. Избран. произведения в 6 т. Москва : Искусство, 1964. Т. 2. С. 269– 273.

Barna, N. V. (2010). Іmage-making as the form of artistic activity in the aspects of the mass culture. Mystetstvoznavchi zapysky. Kyyiv, 2010. Vyp. 10. [in Ukrainian].

Bыkova, Э.V. Rock music in the context of the problems of interaction of musical cultures. Narodnoe tvor- chestvo: perspektyvы razvytyya y formы sotsyal'noy orhanyzatsyy: Sb. nauch. tr. NYY kul'turы. Moskva, 1990. [in Russian].

Dunaevskyy, Y.Y. Emerging issues of light music. Sovetskaya muzыka. 1955. ғ 3. [in Ukrainian].

Pop art. Ukrayins'ka Radyans'ka entsyklopediya. Kyyiv: Hol. red. URE, 1979. T. 4.

Klytyn, S.S. Pop art and scientific and technical progress. Mastering the theatrical profession. Moskva: Yskusstvo, 1990.

Knabe, H.S. Phenomenon of rock and counter-culture. Voprosы fylosofyy. 1990. ғ 8. .

Kozachenko I. Pop art and Mythology (in Ukraine). Chas / Time. 1997. ғ 43.[in Ukrainian].

Kozhevnykov, S. Esthetization of everyday life in the ideology of counterculture. Sotsyolohycheskyy zhur- nal. 2004. ғ 3-4.

Kuznetsov, E.M. From the past of Russian pop music. Moskva: Yskusstvo, 1958. 365 s.

10.Matviychuk, A.M. Let the rock opera live. Muzyka. 1992. ғ 6.

Russian Soviet pop art. Ocherky ystoryy. Otvet. red., doktor ystor. nauk, prof. E. Uvarova. V 3-kh tomakh, Moskva: Yskusstvo, 1976, 1977, 1981.

Tsuker, A. Problems of interaction of academic and mass genres in contemporary Soviet music: avtoref. dys. na soyskanye nauch. step. d-ra yskusstvovedenyya. - Moskva, 1991. 48 р.

Shchehlov, A. No comments. Hip-hop. Neon. ғ7. 2002.

Эyzenshteyn, S. Installation of rides. For the production of ―For every sage simplicity is enough‖ by A. N. Ostrovskyi in Moscow. Yzbran. proyzvedenyya v 6 t. Moskva : Yskusstvo, 1964. T. 2. [in Russian].

Downloads

Published

2018-12-12

Issue

Section

Статті