Tatiana Нalkun's painting as an ethnocultural phenomenon: color and plastic issue

Abstract

Purpose of the article. In the context of the scientific understanding of Tatiana Halkun's artistic achievement, it is essential that the work of art is a significant contribution and an ethno-cultural phenomenon of Ukrainian painting, which in turn forms a cultural stratum in the fine arts of the XX-XXI centuries. The purpose of the article is to analyze and art concept the painting of Tatyana Halkun as an ethno-cultural phenomenon through the prism of the color and plastic art style of the artist. Methodology. The problematics of the research led to the use of the following scientific methods: systemic - in forming a holistic view of Tatiana Halkun's painting as a phenomenon of culture; analytical - in the study of the leading features of the art style; typological - when creating the bases for art conceptualization of the phenomenon of the painting by Tatyana Halkun through the prism of color and plastic art style. The scientific novelty lies in the scientific comprehension of the painting by Tatiana Halkun through the prism of color and plastic art style, the conceptualization of the phenomenon of the painting of the artistry as a component of the artistic heritage of Ukraine. Conclusions. The color-plastic sophistication of Tatiana Halkun's works is manifested in the context of a technical-imaginative relationship through the aestheticization of color as a means of mastering the world, and the disclosure of content - through a storyline aimed at preserving the identity and ethno-cultural identity. The artist's paintings are based on color, which helps to reveal the work and contributes to the philosophical comprehension of reality and the immediate sensual and visual perception of the incarnated plot.