Signs of kitsch in modern amateur Petrykivka painting
DOI:
https://doi.org/10.32461/2226-0285.2.2020.222392Keywords:
Petrykivka painting, folk art, popular culture, kitsch.Abstract
The purpose of the article is to analyze the current state of Petrykivka painting at the mass culture level in the works of amateur craftsmen, signs of kitsch in its stylistics and application, the reasons for the emergence of these kitsch signs. The methodology includes general scientific methods: analysis, deduction, generalization, the historical and systemic analysis that allows revealing this phenomenon in the system of connections with various processes in modern culture. The scientific novelty lies in the substantiation of the features of the contemporary state of Petrykivka painting in connection with globalization processes, defining the main factors that determine changes in its stylistics and application. Conclusions. It was concluded that the prevalent spread of Petrykivka painting as popular art at the mass culture level is associated with the emergence of kitsch signs. It is determined that such signs are mainly related to amateur "petrykivka", the appearance of which is provoked by a change in the way of the transmission and fashion. It was found that the geographical boundaries of the spreading of petrykivka painting were significantly blurred. Today, the main transfer of knowledge takes place in a horizontal direction – through the media, the Internet, in particular video lessons. Therefore, the tradition is assimilated superficially, from dubious sources. The stylistics of petrykivka painting is rapidly changing, saturated with foreign elements accidentally, unconsciously. The role of social networks in this process is revealed, in particular, Facebook groups and Instagram, which are in an information isolation state, where there is a "substitution of concepts" – false is perceived as real, and kitsch is perceived as folk art, therefore, the value-orientation function is distorted. Having received legitimization in the network, the kitsch images with petrykivka ornamentation elements saturate the public environment, provoking false inculturation. It is determined that petrykivka painting turns into a simulacrum - a simulation of Ukrainian identity.References
"Brands of Ukraine": what do the real Petrykivka painting and cats have in common? Retrieved from https://www.youtube.com/watch?v=XV1SdRmbyDg
Berchenko, Y. (1928). How to collect material of wall paintings. Kharkiv: Derzhvydav Ukrainy [in Ukrainian].
Butnik-Siversky, B. (1967). Ukrainian folk art. Painting. Kyiv: Mystetstvo [in Ukrainian].
Vlasova, A. (2014). Mass culture: modern aspects of research. Visnyk Natsionalnoi akademii kerivnykh kadriv kultury i mystetstv, 2, 97-102 [in Ukrainian].
Hluhenka, N. (1963). Modern petrykivka painting. Narodna tvorchist ta etnohraphia, 4, 79-81 [in Ukrainian].
Danchenko, O. (1982). Folk craftsmen. Kyiv: Radyanska shkola [in Ukrainian].
Kara-Vasylyeva, T. (1984). Creators of miracle blossom. Kyiv: Radyanska shkola [in Ukrainian].
Madvidsky, B. (2010). Popular and folk culture: what they have in common and divergent. Narodoznavchi zoshyty, 3-4, 466-474 [in Ukrainian].
Muha, O. (2012). To the theory of kitsch: sketch of aesthetic analysis. Philosophia i politolohia v konteksti sychasnoi kultury, 4(2), 245-251[in Ukrainian].
Muha, O. (2013). Kitsch: semantic transformations of the concept in the 20th-21st centuries. Naukovi zapysky [Natsionalnoho universytetu “Ostrozka academia”, 12, 250-261[in Ukrainian].
Nahai, G. (1968). Ukrainian folk decorative paintings. Kyiv: Mystetstvo [in Ukrainian].
Naiden, O. (1989). The ornament of Ukrainian folk painting: origins, traditions, evolution. Kyiv: Naukova dumka [in Ukrainian].
Petrykivka: Album of reproductions. (2001) Dnipropetrovsk: “Dniproknyha” [in Ukrainian].
Pryschenko, S. (2014). Signs of of postmodernism in advertising. Naukovyi ohlyad: mizhnarodnyi naukovyi zhurnal, 1,179-184 [in Ukrainian].
Sadovenko, S. (2013). Transformations of Ukrainian folk art culture in the space-time realities of postmodernism. Visnyk natsionalnoi akademii kerivnyh kadriv kultury i mystetstv, 3, 79-84 [in Ukrainian].
Symvolika petrykivskoho rozpysu. Retrieved from https://art-treasury.in.ua/news/simvolika-petrikivskogo-rozpisu/ [in Ukrainian]
Smolii,Y. (2011). Home painting of Petrykivka of the second half of the 19th - first half of the 20th century (origins, evolution, artistic features). Candidate`s thesis. Kyiv: M.T. Rylsky Institute of Art History, Folklore and Ethnology [in Ukrainian].
Suhina, O. (2014). The implosion of culture in the simulative dimensions of the postmodern. Visnyk Natsionalnoi akademii kerivnyh kadriv kultury i mystetstv, 4, 63-68 [in Ukrainian].
Fialko D. (2016). Petrykivka. Restart. How a unique village will be created in Ukraine. Retrieved from іhttp://ru.espreso.tv/article/2016/05/14/petrykovka_restart_kak_v_ukrayne_sozdadut_un ykalnyy_poselok [in Russian].
Chaplinska, O. (2014). Kitsch as a consequence of massification. Visnyk Zhytomyrskoho derzhavnoho universytetu im. I.Franka, 1, 49-52 [in Ukrainian].
Downloads
Published
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).