Bionic Shaping in Contemporary Design

Abstract

The research purpose is to analyze the form-making of design decisions and to determine the interconnections with their interior structure, morphology and varieties through the bionics. The research is aimed at analyzing the structural and morphological properties of organic nature forms and their practical implementation in various design areas. In this case, the associative transformation of bioanalogues is applied. The methodology consists of a set of methods that can reveal the scope and purposes of the research. The historical method of cognition is used for the chronological order of the research. This results in additional knowledge obtained in the field of bionics and design, being studied in the process of its development. The analogy method allows revealing the similarity between natural forms and their analogues in design. The generalization method provides the opportunity to make suggestions on the development and implementation of bionic forms in the environment. The scientific novelty of the research lies in the justification of theoretical aspects of the artistic design of miscellaneous designer products, based on the bionic design. In the frame of issues specified, the bionic shaping solutions, which are poorly investigated in the clothing design and are not the research subject in hairdressing, are analyzed. Conclusions. The research shows a practical importance of artistic design construction of designer‘s products, based on the nature. The interconnections of the initial components of this system are revealed, which allow outlining new ways of development and possibilities to increase the competitiveness in different areas of design.