SPIRITUAL AND CREATIVE COMPONENT OF GUITAR PERFORMING TECHNOLOGY
DOI:
https://doi.org/10.32461/149756Keywords:
art criticism, performing art, creativity, spiritual exercises, guitarAbstract
The purpose of the article. Show the need and methods for effective development of the spiritual and creative component at all stages of performing mastery of the work. The methodology of the research is a systematic approach to the study of musical works; cultural and musicological methods of analysis to identify the spiritual and creative component in each of the stages of work concerning a musical piece. The scientific novelty of the work is to create a system of spiritual exercises for perfecting the stage-by-stage work of the performer over the spiritual and creative component of the musical work. It is claimed that the technology of the spiritual element is a technology of realization in the sound of musical - auditory representations. Conclusions. An essential part of the art of playing the guitar is the main component of music, its spirituality. Priority in the work of the performer should be the emphasis on clear ideas of the future sound. Mastering the spiritual element in musical performance can be based on technologies developed in the Middle Ages to develop the imagination and clear vision of the subject of the lesson.
References
Адо Пьер. Духовные упражнения и античная философия / Пер. с франц. при участии В. А. Воробьева. М.; СПб. Изд-во «Степной ветер»; ИД «Коло», 2005. 448 с.
Гризингер Т. Иезуиты. Полная история их явных и тайных деяний от основания ордена до настоящего времени. Том 2, СПб, М.: 1869. 307 с.
Коган Г. М. Работа пианиста. Москва: Госмузгиз, 2004. 146 с.
Лойола И. Духовные упражнения. Духовный дневник / пер. с лат. М.: Институт философии, теологии и истории св. Фомы, 2006. 376 с.
Медушевский В. А. Двойственность музыкальной формы и восприятие музыки . - сб. Восприятие музыки. / Ред., сост. В. Н. Максимов. М., Музыка, 1980, с. 178 – 195.
Медушевский В. Интонационная форма музыки: Исследование. М.: Композитор, 1993. 262 с.
Михайленко Н. П. Методика преподавании игры на шестиструнной гитаре. К.: Книга, 2003. 248 с.
Станиславский К. С. Собрание сочинений: В 9 т.. Т. 3. Работа актёра над собой. Ч. 2: Работа над собой в творческом процессе воплощения: Материалы к книге / Общ. ред. А. М. Смелянского, вступит. ст. Б. А. Покровского, комент. Г. В. Кристи и В. В. Дыбовского. М.: Искусство, 1990. 508 с.
Теплов Б.М. Психология музыкальных способностей.- АПН РСФСР, ин-т психологии. М. – Л., 1947. 340 с.
Тонди А. Иезуиты. М.: Изд-во иностранной литературы, 1955. 331 с.
Barker, E. (2008). The Church Without and the God Within: Religiosity and/or Spirituality? // The Centrality of Religion in Social Life. Ashgate, 187-202.
Ado, Pierre. (2005). Spiritual exercises and ancient philosophy (V.Vorob'ev.Trans.). Moskva; St. Petersburg: «Stepnoy veter»; ID "Kolo" [in Russian].
Grisinger, T. (1868). Jesuits. The complete history of their manifest and secret acts from the foundation of the order to the present. Volume 2. (Trans. From the second german edition). St. Petersburg; Moskva: [in Russian].
Kogan,G.M. (2004). The work of a pianist. Moskva: Gosmuzgiz [in Russian].
Loyola, I. (2007). Spiritual exercises. Order of the Jesuits: truth and fiction. Moskva: AST [in Russian].
Medushevsky, V. A. (1980). The duality of the musical form and the perception of music. Sat. Perception of music. (Ed., Comp. V.N.Maksimov). Moskva: Muzyka [in Russian].
Medushevsky, V. (1993). The intonational form of music: Research. Moskva: Kompozitor [in Russian].
Mikhaylenko, N. P. (2003). Method of teaching the game on a six-string guitar. Kiev: Kniga [in Russian].
Stanislavsky, K.S. (1990). Collection of works: In 9 tons .. T. 3. The work of the actor above himself. Part 2: Work on yourself in the creative process of incarnation: Materials to the book. Moskva: Iskusstvo [in Russian].
Teplov, B.M. (n. d.). Psychology of musical abilities. Moskva; Leningrad: APN RSFSR, in-t psikhologii [in Russian].
Tondi, A. (n. d.). The Jesuits. Moskva: iыйфzd-vo inostrannoy literatury [in Russian].
Barker, E. (2008). The Church Without and the God Within: Religiosity and/or Spirituality? The Centrality of Religion in Social Life. Ashgate, 187-202 [in English].
Downloads
Issue
Section
License
Copyright (c) 2018 Elena Drozdova
![Creative Commons License](http://i.creativecommons.org/l/by/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).