Professional responsibility of lecturer in terms of the working with music text
DOI:
https://doi.org/10.32461/149852Keywords:
lecturer, pupil, composer, performer, a music piece, cooperation, creative processAbstract
Purpose of Article. The aim of the research is task analysis which a lecturer faces working with a music text. The methodology of the study consists of using musicological, system-structural, logic-analytical methods which allow to undergo analysis and reveal the artistic content of a music piece, cover all elements of a musical pattern, understand a peculiarity of step-by-step work within a music text. Scientific research novelty lies in revealing professional approach working with music text, what is an important condition of understanding music content and ulteriorly professional performer’s growth. Conclusions. Work upon a piece of music must be held in a creative cooperation of a lecturer with a pupil, thoughts exchange, feelings, considerations. A lecturer’s serious task is to make a pupil believe that all recommended techniques of learning a piece of music will lead to the desired result. Lecturer’s participation must be actively creative from the moment of a pupil ’s appearance on the stage.
References
Вицинский А. В. Процесс работы пианиста-исполнителя над музыкальным произведением. Психологический анализ / А. В. Вицинский. - М.: Классика-XXI, 2003. - 100 с.
Гинзбург Л. О работе над музыкальным произведением / Л.Гинзбург.- 4-е. изд. - М.: Музыка, 1981. - 143 с.
Коган Г. М. Избранные статьи / Г. М. Коган. - М.: Сов. композитор, 1972. - Вып. 2. - 264 с.
Коган Г. М. Парадоксы об исполнительстве / Г. М. Коган // О музыке. Проблемы анализа: сб. статей / Ред.-сост. Г. Головинский. - М.: Сов. композитор, 1974. - С. 344-365.
Корто А. О фортепианном искусстве: Статьи, материалы, документы / А. Корто / Сост., перевод, ред., вступ. статья и коммент. К. X. Аджемова. - М.: Музыка, 1965. - 363 с.
Серов А. Н. Избранные статьи / А. Н. Серов / Общ. ред., вступ. статья и примеч. Г. Н. Хубова. - Т. 1. - М.-Л.: Госмузиздат, 1950. - 627 с.
Фейнберг С. Е. Пианизм как искусство / С. Е. Фейнберг. - М.: Классика-XXI, 2001. - 340 с.
Щапов А. П. Фортепианный урок в музыкальной школе и училище / А. П. Щапов. - М.: Классика-XXI, 2009. - 176 с.
Vitsinskiy, A. V. (2003). The process of the pianist’s work on a musical composition. Psychological analysis. Moscow: Klassika-XXI [in Russian].
Ginzburg, L. (1981). About work on a musical composition. Moscow: Muzyka [in Russian].
Kogan, G. M. (1972). Selected articles. Moscow: Sov. Kompozitor. (Vols 2). [in Russian].
Kogan, G. M. (1974 Paradoxes about performance. G. Golovinskiy (Eds.), About music. Problems of analysis, (pp. 344-365.). Moscow: Sov. Kompozitor [in Russian].
Korto, A. (1965). On the piano art: articles, materials, documents. (K. Adzhemova, Trans, Ed). Moscow: Muzyka [in Russian].
Serov, A. N. (1950). Selected articles. G. N. Khubov (Ed.). (Vols. 1). Moscow-Leningrad: Gosmuzizdat [in Russian].
Feynberg, S. Ye (2001). Pianism as art. Moscow: Klassika-XXI [in Russian].
Shchapov, A. P. (2009). A Piano lesson at music school and college. Moscow: Klassika- XXI [in Russian].
Downloads
Issue
Section
License
Copyright (c) 2018 Nataliia Nesterenko
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).