Executive vibrato as a method of pitch correction on the string-bowed instruments
DOI:
https://doi.org/10.32461/149855Keywords:
Vibrato, the duality of intervals, pitch, string-bowed instrumentsAbstract
Purpose of Article. The work aims to consider the specificity of method vibrato, analysis of its acoustic properties, conditions of use and expressive possibilities. The methodology of the study is determined by a comparative, functional and analytical method. The scientific novelty of the work expandi the accepted idea of the application of "vibrato. ” The relationship between the types of this device and certain acoustic norms proposed by P. Baranovsky is revealed. The influence of such factors as the phenomenon of "dualism of intervals,” the polytonality of the work, the direction of the melodic movement, the textural exposition, and the choice of the "technical” solution of the reception are considered. Conclusions. Conclusions are presented in the expansion of the accepted norms of "vibrato, ” the understanding of which makes it possible to impart to the string and bow instrument a high brightness and expressiveness.
References
Агарков О. Вибрато как средство музыкальной выразительности в игре на скрипке. Исследовательско-методический очерк. М.: «Музгиз», 1956. - 63 с.
Барановский П., Юцевич Е. Звуковысотный анализ свободного мелодического строя / АН УССР. Ин-т искусствоведения, фольклора и этнографии. - К.: Изд-во АН УССР- 1956. - 83с.
Барановський П. Напрямки досліджень (тези, доповіді, без назви). (На документальних матеріалах колекції рукописних фондів ІМФЕ ім. М.Рильського НАН України) (Фонд 14-кол.5, 91) Б.д., машинопис, 2 арк.
Готсдинер А. Слуховой метод обучения и работа над вибрацией в классе скрипки. Под ред. Л.Н.Раабена. Гос. Муз. Изд-во, Ленинград, 1963. - 43с.
Григорьев В.Ю.Методика обучения игре на скрипке. - М.: - Издательский дом «Классика - XXI», 2006. - 256с.
Лесман И. «Очерки по методике обучения игры на скрипке» Вст. ст., сост., общ. ред., допол. и прим; М.С. Блока. — М.: Гос. муз. изд., 1964.
Назайкинский Е. Звуковой мир музыки / Е. Назайкинский. - М. : Музыка, 1988. - 254 с.
Порвенков В.Г. Акустика и настройка музыкальных инструментов/ В. Порвенков.- М.:Музыка,,1990. - [Электронный ресурс].- Режим доступа - http://kvinta2.rn/archive.php
Рабинович А.В. Осциллографический метод анализа мелодии. Под ред. Н.А.Гарбузова, М., «Музгиз», 1932. - 32с.
Стеценко В. Закономірності інтонування на скрипці. - К., «Муз. Україна», 1977. - 62с.
Струве Б.В. Вибрация как исполнительский навык игры на смычковых инструментах. Л., «Музгиз», 1933. - 62с.
Теплов Б.М. Психология музыкальных способностей. М.-Л., Изд. АПН РСФСР, 1947. - 335с.
Agarkov O. (1956). Vibrato as a means of musical expressiveness in playing the violin. Research and methodological essay. Moscow, the USSR: Muzgiz [in Russian].
Baranovsky P. & Yutsevich E. (1956). Sound-analysis of the free melodic system / Academy of Sciences of the USSR. Institute of Arts, Folklore and ethnography. Kiev: Publishing House of the Academy of Sciences of the USSR [in Russian].
Baranovsky P. The Research areas.Abstracts of Papers (On the documentary materials of the collection of handwritten funds of the IMFE named after M. Rylsky of the National Academy of Sciences of Ukraine). [in Ukrainian].
Gortsinger A. (1963). Auditory method of training and work on vibration in the class of violin. L.N.Raabena. (Ed.). Leningrad: State Museum [in Russian].
Grigoriev V.U. (2006). Methodology of teaching the playing the violin. Moscow: Publishing House "Classics - XXI” [in Russian].
Lesman I. (1964). Essays on the methodology of teaching playing the violin. M.S. Block (Ed.) Moscow : State Museum [in Russian].
Nazaikinsky E.(1988). Sound Music World. Moscow: Music [in Russian].
Porvenkov V.G . (1990). Acoustics and tuning of musical instruments. Retrieved from http://kvinta2.ru/archive.php [in Russian].
Rabinovich A.V. (1932). Oscillographic method for analyzing melodies. N.A.Garbuzova. (Ed.). Moscow:Publishing House"Muzgiz” [in Russian].
Stetsenko V. (1977). Patterns of intonation on the violin. Kiev: Publishing House "Muz. Ukraine " [in Ukrainian].
Struve B.V. (1933). Vibration as the performing skill of playing bowed instruments. Leningrad: Publishing House "Muzgiz" [in Russian].
Teplov B.M. (1947). Psychology of musical abilities. Moscow: APN of the RSFSR [in Russian].
Downloads
Issue
Section
License
Copyright (c) 2018 Oksana Ovdeychuk
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
