National clothes as a factor of the Ukrainian ethnic culture in the context of ethnic design
DOI:
https://doi.org/10.32461/150147Keywords:
Ukrainian ethno-design, national traditional costume, ethnic cultural identity, ethnic traditions, ethnic motifs, creative search, design of clothesAbstract
Purpose of Research is research of the use of reasons folk the suit of Ukraine in practice of professional artists and designers of XX-beginning of XXI item To rotin in a civilized manner social the phenomena to which the personal interest is related folk clothes as by the factor of etnoculture. To consider the examples of the use of reasons folk a suit in the context of Ukrainian etno-design in activity of houses of fashion and in creation of row of leading designers. To analyse projects which will popularize a folk suit in modern society. The article deals with the national costume as a source of inspiration for the Ukrainian designers. The folk costumes and their interpretation is the instrument, which helps to emphasize national, ethnic cultural identity in the multicultural environment of the modern world. Therefore, the research of the national costume as an important factor and the source of inspiration is very actualized in the context of Ukrainian traditions of ethnic design. Methodology. The methodology of the research is based on historical, art criticism, socio-cultural and system-structural methods, which is based on an analysis of the influence of decorative and applied arts on the formation of ethnodesign. Scientific Novelty. The cultural aspect of the national motifs in Ukrainian contemporary fashion design is shown. The trends of the Ukrainian modern fashion are characterized. The figures of it regularly turns to the traditions of the national dress. The significance of Lviv National Academy of Arts as a training centre for the professional designers is highlighted. Its graduates often use in their professional activity different ethnic motifs. The author lists up the names of the leading Ukrainian designers and fashion designers, who often refer to national motives. They are Roksolana Bogutska, Lilia Pustovit, Olesyi Telizhenko, Zinaida Likhacheva etc. In addition, the author pays attention to the names of the brands, which use national embroidery motifs for souvenirs and casual wear. Conclusions. So today, folk costume acts as a factor in ethnoculture in the context of Ukrainian etno-design. Having a long tradition of attracting traditions of national clothes in costume design, Ukrainian etno-design occupies an important place in the work of designers and designers. Since the end of the nineteenth century, Ukrainian artists, designers, designers constantly turn to national costume as a source of inspiration. And their works on the basis of rethinking ethnic traditions help to unite Ukrainians. Ethnic clothing now meets the needs of the time, is in demand in society. And in order to satisfy it, artists are deeply exploring the national culture of dressing.
References
Кара-Васильєва Т. В. Полтавська народна вишивка / Т. В. Кара-Васильєва - К.: Наукова думка, 1983. - 200 с.
Кара-Васильєва Т. Формування дизайну в Україні художниками авангарду / Т. Кара-Васильєва // Нариси з історії українського дизайну ХХ століття: зб. статей. - К.: Фенікс, 2012. - С.111-122 .
Король Н. Народні традиції в моделюванні дитячого одягу: історичний досвід українських дизайнерів./ Н. Король // Вісник Львівської національної академії мистецтв. - 2015. - Вип. 26. - С. 198-209.
Косміна О. Ю. Традиційне вбрання українців. - Т.І: Лісостеп та степ /О. Ю. Косміна. - К: Балтія Друк, 2008 - 160 с.
Костельна М. Національні мотиви у декорі костюмів у творчості М. Токар (на прикладі діяльності Львівського будинку моделей) / М. Костельна // Народознавчі зошити. - -№ 6 (114). - К, 2013. - С. 1145-1149.
Кротова Т. Ф. Етно-мотиви і класичні форми в костюмі: свобода перевтілень і межа стилю [Електронний ресурс] / Т. Ф. Кротова. Режим доступу: http://elibrary.kubg.edu.ua/3961/2/T_Krotova_MK_T ext .pdf
Мельник М. Т. Особливості використання елементів традиційного українського костюма при створенні фешн-колекцій [Електронний ресурс] / М.Т. Мельник. Режим доступу: http://mtmfashion.blogspot.com/2012/08/blog-post_21.html.
Мироненко В. П. Еволюція українського народного костюма в соціокультурному контексті авангарду / В. П. Мироненко, А. С. Синицька // Вісник Харківської державної академії дизайну і мистецтв. Мистецтвознавство. Архітектура. - 2009. - № 5. - С. 128-135. - Режим доступу: http://nbuv.gov.ua/UJRN/had_2009_5_21
Наумкіна О. С. Етнічний культурний взірець в дизайнерських практиках сучасних українців [Електронний ресурс] / О. С. Наумкіна. Режим доступу: http://dspace.nbuv.gov.ua/xmlui/bitstream/handle/123456789/92847/36-Naumkina.pdf?sequence=1
Ніколаєва Т. О Історія українського костюма / Т. О. Ніколаєва. - К.: Либідь, 1996. - 176 с.
Помаранська О. В. Визначення автентичних ознак української свити для проектування жіночого демісезонного пальто / О. В. Помаранська., А. Л Славінська // Вісник Хмельницького національного університету. - 2014. - Вип. 3. - С. 273-277.
Kara-Vasilyeva, T.V. (1983). Poltava folk embroidery. Kyiv: Naukova dumka [in Ukrainian].
Kara-Vasilyeva, T.V. (2012). Formation of the design of avant-garde artists in Ukraine. Essays on the history of Ukrainian design in XX century. Kyiv: Feniks [in Ukrainian].
Korol, N. (2015). National traditions in modelling of children's clothing, the historical experience of Ukrainian designers. Visnyk Lvivskoi natsionalnoi akademii mystetstv, 26, 198-209 [in Ukrainian].
Kosmina, O. (2008). Traditional Ukrainian clothes. Volume I: Forest and Steppe. Kyiv: Baltiia Druk [in Ukrainian].
Kostelna, M. (2013). National motifs in the decor of costumes in the works of M. Tokar (the example of the Lviv House of Fasion). Narodoznavchi zoshyty, 6 (114), 1145-1149 [in Ukrainian].
Krotova, T. F. (n.d.). Ethnic motifs and classical forms in a costume and limit freedom of the style transformations. Retrieved from: http://elibrary.kubg.edu.ua/3961/2/T_Krotova_MK_Text.pdf [in Ukrainian].
Melnyk, M. T. (2012). Features of the elements of traditional Ukrainian costume in creating the fashion collections. Retrieved from: http://mtmfashion.blogspot.com/2012/08/blog- post_21.html [in Ukrainian].
Mironenko, V. & Synytska, A. (2009). Evolution of Ukrainian national costume in sociocultural context of the avant-garde. Visnyk Kharkivskoi derzhavnoi akademii dyzainu i mystetstv. Mystetstvoznavstvo. Arkhytektura, 5, 128-135. Retrieved from: http://nbuv.gov.ua/UJRN/had_2009_5_21 [in Ukrainian].
Naumkina, O.S. Ethnic example of cultural practices in the design of modern Ukrainians. Retrieved from: http://dspace.nbuv.gov.ua/xmlui/bitstream/handle/123456789/92847/36-Naumkina.pdf?sequence=1[in Ukrainian].
Nikolaeva, T.O. (1996). History of Ukrainian costume. Kyiv: Lybid [in Ukrainian].
Pomaranska, O.V. & Slavinska, A.L. (2014). Definition of authentic features Ukrainian suite for designing female demi-season coat. Visnyk Khmelnytskoho natsionalnoho universytetu, 3, 273-277 [in Ukrainian].
Downloads
Issue
Section
License
Copyright (c) 2018 Ilona Sivash
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).