Dynamics of development of arts synthesis vision: «poezomalyarstvo» (artistic poetry) as a research subject

Abstract

The purpose of the article. Based on an analysis of historical and cultural traditions of arts
synthesis vision, the paper is aimed at restoring the concept of poezomalyarstvo (artistic poetry)
reasoned in theoretical works of Mihal’ Semenko, the founder of Ukrainian futurism. The
methodology of the research arises from the specific nature of the article issue and is grounded on
the historical and chronological method which makes possible to include poezomalyarstvo (artistic
poetry) into dynamics of arts synthesis problem formation. The biographical method, as well as the
comparative method, is also used. The scientific novelty of the paper lies in broad representation of
M. Semenko’s article «Poezomalyarstvo» (1922) which was written in the times when ideas of O
Skryabin, V. Kandinsky, M. Chyurlyonis were the subject of discussion and comprehensive
theoretical analysis as well as introduction the experience of Ukrainian creators like L. Kurbas, B.
Lyatoshynsky, P. Tychyna and others concerning phenomenon of arts synthesis into wide scientific
use. Conclusions. 1. the importance of historical and cultural reconstruction of arts synthesis
formation and development is shown; 2. the Ukrainian experience of synthesis potential study is
presented; 3. the role of personalization in restoring historical and cultural stages of humanistic
development is proved.
Key words: synthesis, creative and searching potential of synthesis, poezomalyarstvo
(artistic poetry), futurism, color irritants.