The artistic and compositional features of Opillia and boykiv Pidhirya embroidery of the end of the late XIX - XX centuries

Abstract

The purpose of the article is to analyze the artistic expressiveness of the embroidered works
of the Opillia and Boykiv Pidhirya regions of the late XIX-XX centuries. Methodology. The
methodology of the research is to apply methods of analysis, synthesis, comparison, generalization,
as well as the use of terminological and historical approaches. Scientific novelty consists in the
realization of the art-study study of embroidery, revealing of traditional decor and local artistic
peculiarities of works. Conclusions. The artistic structure of embroidery with the identification of
local cells is analyzed. The typological groups of works are defined: interior fabric - towels,
tablecloths, pillowcases, bedspreads, sheets, porters, paintings, icons and clothes - a shirt, an
apron, a sleeveless shirt. The mechanism of the functioning of embroidery as a complex of
interrelated components - material, technique, the ornamental solution is revealed. The system of
names of embroidery of geometric ornament has been studied. The following original phenomenon
as an embroidered icon and storyline embroidery has been analyzed.
Key words: embroidery, ornamentation, ornamental decision, artistic structure, local
centers.