Scientific studies of ukrainian folk dance: from origins to present
DOI:
https://doi.org/10.32461/2226-2180.34.2018.191145Abstract
Purpose of Research –to identify the main stages of the formation and development of
dance technique on pointe shoes in classical dance. Мethodology. Based on the analysis of the
scientific literature, the use of the historical chronological approach, the method of systematization,
it was possible to conduct a scientifically objective study. Scientific novelty. In the article the
periodization of the development of dance technique on pointe shoes as a component of the
evolution of classical dance Conclusions. Monographs, dissertations, scientific articles, etc.,
devoted to various aspects of Ukrainian folk dance culture, containing a historiographical review,
analyze the latest publications from the point of view of the topic of labor, which excludes the
integrity of the research of scientific and theoretical developments on Ukrainian folk dance. Despite
the presence of a significant array of scientific literature of complex research, the theoretical
heritage of Ukrainian dance has not undergone. It is conditionally possible to single out the main
stages of the formation and development of the scientific and theoretical understanding of the
Ukrainian folk dance: the twenties Twentieth century – the formation of the theory of Ukrainian folk
dance (V. Verkhovynets); second half of the twentieth century – development of the theory of
Ukrainian folk dance in historical, art criticism and pedagogical research; the beginning of the XXI
century – the expansion of the problematic range of research on the material of Ukrainian folk
dance.
Key words: Ukrainian folk dance, scientific works on choreography, dance, choreography.
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