Pavlo Virskyi's creativity in the modern scientific discourse

Abstract

Purpose of the article. The purpose of the article is to analyze the scientific discourse of the
beginning of the XXI century about the works of Pavlo Virskyi. Methodology. The use of elements
of discourse analysis, methods of systematization and typology to identify the main genres of
scientific publications made it possible to conduct an objective study and draw reliable conclusions.
Scientific novelty. For the first time considered the genres of scientific discourse on the creativity of
P. Virskyi. Conclusions. The work of P. Virskyi is reflected in the main genres of scientific
discourse – articles, monographs, dissertations, materials of scientific conferences, textbooks.
However, in recent years, monographs specifically devoted to aspects of P. Virskyi’s creativity have
not been created, despite certain ideological stratifications do not lose their relevance to the
monograph by Yu. Stanishevskyi (1962) and H. Borymska (1971). Diversity, emotionality,
professional orientation became the hallmarks of modern scientific discourse about the creativity of
P. Virskyi. Despite the considerable discursive field of creativity by P. Virskyi, a wide range of
problems did not fall into his circle. Particularly noteworthy is the clarification of the place and
role of the choreographer in the development of world choreographic art, the identification of the
multi-vector interaction of P. Virskyi’s work not only with Ukrainian artists but also more widely –
in a global context.
Key words: Pavlo Virskyi, scientific discourse, folk dance, folk-stage dance, ballet master,
choreography.