Notion "collections" and "spectral type" in creative activity S.Kusevickij

Abstract

The purpose of the article given studies is a separation of specifics intersection to activity
work of S.Kusevickij, beside which creative method his compositor style, noted by relation
symbolism eclectics, has determined projections on collection his performance, manager,
organizing-propagandistic, etc. activity, differentiation integer which is indicated by term «spectral
type», in development of the ideas universality of creative personality XX century, declared "system
Leonardo da Vinci" P.Valéry. Methodology of the work is intonation approach of the school
B.Asafiev in Ukraine with inherent him linguistics- culturology aspect of the interpretation
musicology method, with handhold on analyst-structured principle and handhold on comparative
stylistic features, hermeneutics-interpretation foreshortening of the music semiotics " intonation
dictionary of the epoch" on Asafiev and further developments in work A.Sokol, E. Markova and
others. Scientific novelty of the work is determined by originality of the taxonomic approach to
feature of the total creative look S.Kusevickij, beside which symbolism artistic principle, used in
style elements his contrabass Concerto, has determined structured analogies to «eclectic»
installation joinings to activity work, inadmissible in epoch of the romanticism, but nature of such
joining by noted term «spectral type». Conclusions. Creative-confirming line of Kusevickij-actor,
contrabassist and conductor, subordinated presentations in performance work alternatives
classicists and modernist style that is combined in most corporeality of the bass viol, forms line of
«counterpoint» to his mercantile-organizing work, which has taken the forms («spectrum» device
theatrical enterprises, contest, publishing, fund and the other structures, called to create vital security and author, and in accordance with a partner on base commercial priority. Spectral type in
manifestations of universality by S. Kusevickij have defined the person of the sort «parcel eclectic»
of facilities of the expression in compositions of the Concerto for contrabass by facility of the
inadequate refraction in instrumental corporeality "in morsels" presented of the style models in
themes and composition decision; said allows to confirm combinatorial typicalness of Concerto as
projections spectral universality of the thinking determinations of the actor-manager.
Key words: spectral universalism of activity, symbolism, stylistic eclecticism, instrumental
materiality of double bass, style in music.