Concertoes of L. Beethoven as repertory peg of the programs in pianists of Odessa

Abstract

The Purpose of the article is an underlining сhant base of essential sides themes and
concepts as a whole L. Beethoven works, including early, undervalued on ideological reason in
specialized literature, but always broadly claimed in practical person music concerto, including
such prominent actor as S.Richter, well-mannered and formed by achievements art South Palimiry.
Scientific novelty of the study is determined by theoretical independence of the vision in Josephine
classicism to essence of the Viennese school, as well as for the first time in Ukrainian musicology
are analyzed in accepted foreshortening in Beethoven chant style First and the Second piano
concertos prominent Viennese classics and is determined high artistic value their over-individual
lyrical forming expressions. Conclusions. The First and Second piano concertos of Beethoven
demonstrate the common signs of the Viennese classicism as direct projection Josephine classicism
in instrumental art, under that First concerto concentrates specifically for creative activity
Beethoven as a whole line of themes in chant style, аpоgее which becomes the play-off-cantata to
Ninth symphony. Attention to this early works of Beethoven escalated post in contemporaneitypostmodernism mistrust to rationalist dialоgic-dialectics theatrical, dramatic art and uniting to the
lyricism of the spiritual music, a renaissance which evident image notes the repertoire of the
artistic appearances preference. Bequeathing S.Richter confidence to chant themes in early
composition, the bright discovery of specifics which is First and the Second piano concertos,
inspires the performers of the Odessa by involvement to church-spiritual headwaters of this music,
which occupies a traditionally high position in repertory choice musician Odessa. After all in the
center of the cultural property, there is the choral tradition of "church" K.Pigrov, but the vocal
opening is provided genius of M.Glinka, an operatic creative activity which inseparable from
searching for deep headwaters to the orthodox tradition of the singing.
Key words: a genre of the piano concerto, style in music, piano style, style of the culture of
the Odessa, piano style in plays a musician of the Odessa