Stylistic analysis of piano miniatures Nikolay Silvansky
DOI:
https://doi.org/10.32461/2226-2180.34.2018.191157Abstract
Objective. Make a stylistic analysis of the piano miniatures by Nikolai Silvansky. The
research methodology includes a comparative method in the stylistic analysis of pianistic
miniatures by M. Silvansky. The composer's works are considered in the context of the development
of Ukrainian and European music of the 20th century. Based on a comparative cultural and
historical analysis. Scientific novelty. For the first time, a stylistic analysis of pianistic miniatures
by M. Silvansky was made with an emphasis on the variety of works in the neo-romantic direction
of the composer's music. Conclusions. Based on the stylistic analysis of M. Sylvansky's piano
works, their main imaginative spheres are designated. Namely: the embodiment of literary subjects,
musical landscape, psychological essays, works of motor direction. It is determined that the
composer's creativity passed within the framework of neo-romanticism.
Key words: stylistic analysis, piano miniatures by M. Silvansky, neoromanticism, cohesion,
symbol, mythology.
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