The contribution of Ukrainian composers to the development of youth music in the twentieth century (on the example of the analysis of the piano concert of V.Kosenko)

Abstract

The purpose of the work. Identify the stylistic principles of V. Kosenko's Piano Concerto for
their inscription in the paradigm of the Ukrainian musical culture of the twentieth century and as
the national embodiment of its youth component. Methodology. At the heart of the study is an
intonational approach, in which the style-comparative, hermeneutical, culturological methods and
usage are highlighted, which makes it possible to assess Kosenko's authorial identity as a product
of the national cultural thought of the past. Scientific novelty. For the first time in the analysis, V.
Kosenko's Piano Concerto is presented in correlation with the works born of the youth expansion
(the "new youth" of the Sixties era) of the 1920s, whose rigid atradiationalism gives birth in a
national thought a turn from opera and vocal-choral classics of Ukrainian music to demonstrative
instrumentalism , but in unity with appeasement to the stylistic synthesis of romantic tradition and
symbolist manifestations of modernity. Conclusion. The genre of the piano concerto, especially in
his youthful rebellion in the work of V.Kosenko, proclaims a new stage in the development of the
Ukrainian musical culture of the 20th century in the direction of its instrumental channel, the
traditionalist inclination of which we find in Kosenka in the form of a demonstration of the
affirmation of the Lisianian concert, but at the same time as the tendencies To overcome Lisstvo's
same orchestral dramatization and with an appeal to the early bond issue, which is also found in
Juvenile Concerts by F. Chopin; The latter's music occupied a great place both in the guideline of
V.Kosenko's personality in person and in the domain of pioneering searches of Ukrainian and
Russian (V. Barvinsky, L. Revutsky, O. Skryabin, S. Rachmaninov) artists of the twentieth century as
a whole.
Key words: genre of concert, style of Ukrainian music of the 20th century, symbolism,
romanticism, traditionalism – atraditionalism.