The contribution of Ukrainian composers to the development of youth music in the twentieth century (on the example of the analysis of the piano concert of V.Kosenko)
DOI:
https://doi.org/10.32461/2226-2180.34.2018.191169Abstract
The purpose of the work. Identify the stylistic principles of V. Kosenko's Piano Concerto for
their inscription in the paradigm of the Ukrainian musical culture of the twentieth century and as
the national embodiment of its youth component. Methodology. At the heart of the study is an
intonational approach, in which the style-comparative, hermeneutical, culturological methods and
usage are highlighted, which makes it possible to assess Kosenko's authorial identity as a product
of the national cultural thought of the past. Scientific novelty. For the first time in the analysis, V.
Kosenko's Piano Concerto is presented in correlation with the works born of the youth expansion
(the "new youth" of the Sixties era) of the 1920s, whose rigid atradiationalism gives birth in a
national thought a turn from opera and vocal-choral classics of Ukrainian music to demonstrative
instrumentalism , but in unity with appeasement to the stylistic synthesis of romantic tradition and
symbolist manifestations of modernity. Conclusion. The genre of the piano concerto, especially in
his youthful rebellion in the work of V.Kosenko, proclaims a new stage in the development of the
Ukrainian musical culture of the 20th century in the direction of its instrumental channel, the
traditionalist inclination of which we find in Kosenka in the form of a demonstration of the
affirmation of the Lisianian concert, but at the same time as the tendencies To overcome Lisstvo's
same orchestral dramatization and with an appeal to the early bond issue, which is also found in
Juvenile Concerts by F. Chopin; The latter's music occupied a great place both in the guideline of
V.Kosenko's personality in person and in the domain of pioneering searches of Ukrainian and
Russian (V. Barvinsky, L. Revutsky, O. Skryabin, S. Rachmaninov) artists of the twentieth century as
a whole.
Key words: genre of concert, style of Ukrainian music of the 20th century, symbolism,
romanticism, traditionalism – atraditionalism.
Downloads
Published
Issue
Section
License
Copyright (c) 2020 Олена Хіль
![Creative Commons License](http://i.creativecommons.org/l/by/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).