Historical and heroic themes of Kyivan Rus and the Hetmanate in the works of V. Poltavets in the context of development of Ukrainian fine arts
DOI:
https://doi.org/10.32461/2226-2180.38.2020.222079Keywords:
national history, heroic struggle, princely period, Cossacks, painting, graphic representationAbstract
The purpose of the study is to consider the works of V. Poltavets on the historical and heroic themes of Kуivan Rus and the Hetmanate in the context of the development of the historical genre in Ukraine. The methodology of the article is based on the scientific method of historical research, the chronological and department comparison of related works of art, the temporal and logical method of analyzing periods and styles in art. The scientific novelty of the work lies in the systematization and comparative analysis of works of the historical genre in different branches of art for a significant period of time, identifying the relationship between these branches, defining this direction of art as an important component of Ukrainian culture, researching the significance of the personal contribution of the creator to its development. Conclusion. The analysis shows a high level of development of the historical genre of art in Ukraine, confirms the importance of the artist's work and other creative professions, shows the need for further development of the raised topic in view of its relevance for the young state, raises the problem of insufficient scientific research of the topic and the need for its popularization.References
Apanovich O. (1969). Armed forces of Ukraine in the first half of XVIII century. Kyiv: Naukova Dumka, [in Ukrainian].
Biletsky P.O. (1969). Ukrainian portrait painting of the century. Problems of formation and development. Kyiv: Mystetstvo [in Ukrainian].
Zholtovsky P.М. (1988). Monumental painting in Ukraine in XVII-XVIII centures. Kiev: Naukova Dumka [in Ukrainian].
Kostomarov N.I. (2006). Russian history in the biographies of its main figures. Moskow: EKSMO [in Russian].
Mikhailova R.D. (2015). Folk painting "Kozak Mamai" In modern research. Abstracts of reports at the all-Ukrainian scientific conference. Kyiv: LAT & K [in Ukrainian].
Mikhailova R.D. (2011). Historical and battle painting of the mid-17th-mid-18th century. History of Ukrainian Art in 5 Volumes. Vol. 3 Kyiv: IMFE NANU [in Ukrainian].
Mikhailova R.D. (2012). Features of image-creation in the historical genre of the XVI-XVIII centuries (on the example of Ukrainian art.) Scientific notes. Culture and Art in the Modern World, KNUKiM, Issue 13. Kyiv [in Ukrainian].
Mikhailova R.D. (2013). Historical genre in the work of Ukrainian artists – students of the Imperial Academy of Arts. Collection of scientific works. Visnik KNUKiM, 28. Kyiv National University of Culture and Arts. Kyiv [in Ukrainian].
Ohienko I. (1991). Ukrainian culture. Kyiv: Radianska Ukraina [in Ukrainian].
Chukhlib T. (2015). Hetmans of Ukraine-Rus. Kyiv: BAO [in Ukrainian].
Art of the Ukrainian Sixties (2015). Editors-compilers O. Balashova, L. Herman. Kyiv, Osnovi [in Ukrainian].
Thomas W. und Fleckner, Uwe. Historienmalerei, Heidelberg: arthistoricum.net, 2019. URL: https://doi.org/10.11588/arthistoricum.445 [in English].
Downloads
Published
Issue
Section
License
Copyright (c) 2020 Oksana Poltavets-Guida
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).