Creation of musical pieces at GUITAR PRO 6 (Part 1)

Authors

  • Valery Kozlin
  • Valentina Grishenko

DOI:

https://doi.org/10.32461/2226-2180.38.2020.222096

Keywords:

musical editor, score, arrangement, wiring for sound, musician, composer, sound producer.

Abstract

The purpose of the article is to find out the specifics and methods of creating music in the sequencer GUITAR PRO 6. Methodology. The article uses a systematic approach, and also applies methods of comparison and generalization. Scientific novelty. For the first time in domestic musicology, innovative methods of working in the modern computer program sequencer GUITAR PRO 6 were discovered and proposed. The application of the methods and rules presented in the study provides the opportunity to transfer the work of a composer, arranger, sound engineer, musician, with a computer to a completely new stage in the development of musical creativity, which significantly improves the result of the study of musical texture, expanding the ways of existence of the work and the like. Conclusions. This software product is a powerful editor that allows you to create original scores at a professional level for subsequent editing. The program presents many useful tools with which the user can work with a different set of symbols of musical notation, as well as with a wide range of regulation of sound dynamics and tempo, which allows you to create samples of musical scores that sound and their phonograms. It has a powerful built-in MIDI editor, chord builder, player, metronome, and many other useful instruments for musicians. Ability to run Guitar Pro 6 on Windows, Linux, Mac OS platforms. Widely used by composers, arrangers, and sound engineers. Also, the methods of work in Guitar Pro 6 can be used for study by students who master the relevant specialties.

References

Kozlin, V.I. (2015). School of computer games in the innovator Sibelius 6. Moscow: Press. [in Russian].

Guitar Pro 6 Program. URL: https://en.wikipedia. org ›wiki› Guitar_Pro

Downloads

Published

2020-12-19

Issue

No. 38 (2020)

Section

Музичне мистецтво

License

Copyright (c) 2020 Valery Kozlin, Valentina Grishenko

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