Institute of Church Music as a component of the structure of the Lviv Theological Academy and the Ukrainian Catholic University
DOI:
https://doi.org/10.32461/2226-2180.38.2020.222122Keywords:
Institute of Church Music, Ukrainian liturgical music, scientific and musical qualification of the clergy, a culture of church singing.Abstract
The purpose of the article is to determine the place and significance of the Institute of Church Music in the structure of the Lviv Theological Academy and the Ukrainian Catholic University. The research methodology consists in applying the retrospective method – to outline the continuity of the principles and goals of the Institute of Church Music as a substructure of the Theological Academy and UCU, cultural and historical – to reveal the peculiarities of its functioning in different socio-political conditions; culturological – to identify aesthetic and stylistic, ideological, semantic, communicative features of the realization of the potential of ICM. The scientific novelty lies in the attempt to comprehensively study the activities of this institution, its structure, areas of performance and research, relationships with other substructures and disciplines of theological and secular music education, the personalities of the teaching staff. Conclusions. The Institute of Church Music has a long history of forming the institution, its structure, goals, and objectives in the system of professional training of the Greek Catholic clergy. Its functions include deepening the professional training of graduates of spiritual centers of education for their practical pastoral work, the prospect of improving the musical component of the church rite; the pedagogical and educational purpose of the clergy; preparation of bases for scientific research of Ukrainian sacred music of different epochs (through accumulation, collecting, copying (reprinting) of old prints and manuscripts, research, editing, publishing and performance of spiritual works).References
Antonovych M. (1997). Specifics of Ukrainian church singing. Zbirnyk pracj Juvilejnogho konghresu. Mjunkhen, 1988/1989, (pp. 458-471) (peredruk). Lviv: Musica sacra (рр. 1-20). [in Ukrainian].
Antonjuk-Ghuraljna S. S. (2012). «Liturgy», concluded by Stanislav Lyudkevych: stylistic features. Naukovi zapysky Ternopiljsjkogho nacionaljnogho pedaghoghichnogho universytetu imeni Volodymyra Ghnatjuka. Serija: Mystectvoznavstvo. Ternopilj, TNPU (Vol.1.) (pp.101-109). [in Ukrainian].
Ghrab U. (2020). Musical Ukrainian Studies in the Archives of the UCU Institute of Church Music. International Scientific Conference "Library. Science. Communication. Development of library and information potential in the conditions of digitalization". Retrieved from http://conference.nbuv.gov.ua/report/view/id/1042 [in Ukrainian].
Ghuraljna S. S. (2013). Liturgy from V. Matyuk’s «Spivanyk» (1911) and its influence on the church musical culture of Eastern Galicia. Mystectvoznavchi zapysky. (Vol.24) (pp. 40-46). Retrieved from http://nbuv.gov.ua/UJRN/Mz_2013_24_8. [in Ukrainian].
Zvarychuk Zh. J. (2008). Liturgical choral performance of Galicia in the XIX century. Extended
abstract of candidate’s thesis. Kyiv, In-t mystectvoznav., foljklorystyky ta etnologhiji im. M.T.Ryljsjkogho NAN Ukrajiny. [in Ukrainian].
Kosanjak N. (2018). Collection of notes of the Institute of Church Music in Lviv (from the funds of the Lviv National Scientific Library of Ukraine named after V. Stefanyk). Zapysky Ljvivsjkoji nacionaljnoji naukovoji biblioteky Ukrajiny imeni V. Stefanyka. (Vol. 10) (pp. 571-596). [in Ukrainian].
Kudryk B. (1937). The era of the senior so-called «рartes» singing. Alien influences in Ukrainian musical culture. Ukrajinsjka muzyka. [Stryj], 5-6, 65-67. [in Ukrainian].
Kudryk B. (1938). Participation of the clergy in the Galician-Ukrainian musical culture. Boghoslovija. (Vol. KhVI. Р.4.) (pp. 208-221). [in Ukrainian].
Kudryk B. (1995). Review of the history of Ukrainian church music [Praci Ghreko-Katolycjkoji Boghoslovsjkoji Akademiji u Lvovi. T. 19]. reprint: Ljviv: Instytut ukrajinoznavstva im. I. Kryp'jakevycha NAN Ukrajiny. [in Ukrainian].
Ljudkevych S. (2000). The business of our church singing. S. Ljudkevych Statti, recenziji, vystupy: u 2-kh tt. Lviv: Dyvosvit (Vol. 2).(pp.244-248). [in Ukrainian].
From the «Lviv Boyan» Singing Society. (1913). Rada. 100, 4. [in Ukrainian].
The seventh village of the monastic Studyts order. (1938). Dilo. 178, 5. [in Ukrainian].
Word of Patriarch Joseph: documents, materials, photos, 1917–1984 (2003). Compilers.: Oksana Ghajeva, Jaroslav Krok, Roman Khrin. Lviv: Gerdan [in Ukrainian].
Stashynsjkyj F. (1922). Collection of liturgical and church songs based on folk songs. Arrangement for mixed choir by Stanislav Lyudkevych. Lviv: Nyva. Misjachnyk prysvjachenyj cerkovnym i suspiljnym spravam. − R. KhVII. Lviv: Dilo. (Vol. 8-9). (pp. 68-69). [in Ukrainian].
Toloshnjak N. (2018). Borys Kudryk as a researcher and composer of church music. Kalofonija: Naukovyj zbirnyk z istoriji cerkovnoji monodiji ta ghymnoghrafiji. (Vol. 92). (pp. 317-320). [in Ukrainian].
Faculty of Philosophy and Theology of UCU: own site. (2020) Retrieved from http://theological. ucu.edu.ua/pro-fakultet/istoriya/[in Ukrainian].
Sheptycjkyj A. (1962). About church singing (Decree of the Council, read on April 25, 1941). Pysjma-poslannja Mytropolyta Andreja Sheptycjkogho, ChSVV. z chasiv nimecjkoji okupaciji: u 2-kh chch. Jorkton, Sask. (Kanada) (Vol. 28). (pp. 56-57). [in Ukrainian].
Shtunder Z. (2005). Stanislav Lyudkevych. Life and work: in 2 vol. (Vol. 1. 1870-1939). Ljviv: PP. «BINAR–2000».[in Ukrainian].
Jasynovsjkyj Ju. (1994). Church music in the history of Ukrainian musical art. Relighija v Ukrajini: doslidzhennja i materialy. Kyiv; Lviv. (Vol 1). (pp. 122-127). [in Ukrainian].
Downloads
Published
Issue
Section
License
Copyright (c) 2020 Mariia Sydir
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
