The scene as a space for artistic searches of the director-author. Part 1. Rainer Werner Fassbinder: stage-screen experiments
DOI:
https://doi.org/10.32461/2226-2180.40.2021.250389Abstract
The purpose of the article is to identify the problems of creativity of directors who have realized their artistic potential both in auteur cinema and in the space of the stage and to determine scientific guidelines that will contribute to a comprehensive analysis of the phenomenon of the filmmaker in the performing arts. Research methodology. Methods of scientific analysis, comparison, generalization, self-analysis of the artist were used in the elaboration of the theme. In addition, analytical and systematic methods were applied in their unity, which is necessary to study the art aspect of the problem. The scientific novelty of the study is to determine the universality of directing as a specific kind of artistic and aesthetic activity; in clarifying the interaction of performing and screen arts in the use of expressive means; in determining the features of the filmmaker's activity in the stage space through the adaptation of screen means in theatrical productions, which first became the subject of a special study; in the coverage, the activities of directors-authors who resorted to reforming the language of language and the language of stage production; in identifying the original principles of filmmaking and specific means of cinematic expression, which not only found a direct embodiment in films and contributed to the emergence of outstanding authorial films but also had a significant impact on the author's theatrical direction, which sought to visualize stage images. Conclusions. It is proved that the stage work of filmmakers-authors calls into question the theoretical postulates about the perniciousness of the intrusion of theater culture into screen works. It has been found that pictorial and expressive means provide a chronology of image creation (long shots, in-frame editing, acoustic, light, and shadow effects), the use of which in cinema is considered a high degree of skill, have their origins in the performing arts.
Keywords: director-author, stage space, directing means, theater, screen.
Downloads
Published
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).