Features of creative activity of the theater and cinema actor

Abstract

The purpose of this article is to find out the mechanism of combining in the person of the actor different aspects of his activities in the role and to identify creative incarnations in the course of this activity. Research methodology. The research methodology is to apply an analytical and logical approach to understanding the activities of the actor, which allows us to determine the mechanism of his double participation in the creative process of experience. Scientific novelty. The analysis of features of the creative activity of the actor during game is carried out. The expressive participation of the actor in the creative process of experience is researched and revealed. Conclusions. The method of activity analysis revealed the "expressive incarnation" of the actor in the role. The difference between the actor's personality and his actions in the role is established. It has been found that in the course of the game, the actor partially deviates from his own actions in the role with the help of certain techniques. It is proved that due to such removal the actor perceives his own actions as the actions of a certain character. It has been observed that in this state, due to a partial change of consciousness, the actor controls the flow of experiences in the role.

Keywords: actor, creative activity of an actor, acting experience, expression, consciousness, concentration, perception.