Correspondence of Linguistic Content and Creative Narratives of Composer Yuriy Shevchenko

Abstract

The purpose of the article is to determine the correspondence between the linguistic content and creative narratives of the contemporary Ukrainian composer Yuriy Shevchenko, taking into account the general intentions in music as an emotional mood. It also aims to investigate the linguistic content of the composer expressed in interviews in close connection with the reading of the artistic intent of the composer's work. The research methodology is related to the study of human thinking, the consideration of narrative as a certain discursive structure that is formed on the basis of a person's own experience, and is presented by systematic and comparative approaches that help to determine the specifics of certain compositional structures in music in comparison with the author's approach to his own creativity in the linguistic content of the interview. The scientific novelty of the study lies in the disclosure of narratives in the author’s music, taking into account the composer's thinking, his feelings and socio-cultural influences on his work, for example, in the author's appeal to fairy-tale "worlds" as a sign-sound space. Conclusions. The existence of social contradictions leads to the emergence of the idea of "pure classics" among composers and is expressed in the appeal to symbolic attitudes through the synthetic genres of theatre, opera, ballet, and musical. The narratives of new thinking are also expressed in the composer's frank interviews, as opposed to the music itself, in which these directions are expressed in a veiled playful form.

Key words: linguistic content, creative narratives, intentions in music, symbolic settings, synthetic genres.