Narrative tension analysis: reader`s and text aspects

Authors

DOI:

https://doi.org/10.15587/2313-8416.2016.86083

Keywords:

narrative tension, cognitive and affective, reader`s response, narrative structures, text absorption, narrative interest

Abstract

In this article narrative tension is conceptualized as a complex cognitive and affective phenomenon being analysed in two dimensions: psychological and textological. In the receptive and psychological framework narrative tension is considered as reader`s psychological response to the fictional events of the storyworld. In modern text theory narrative tension is thought as a specific narrative strategy represented by definite narrative structures inducing the particular emotional state of the reader

Author Biography

Анна Вениаминовна Лещенко, Cherkasy State Technological University Shevchenko blv., 460, Cherkasy, Ukraine, 18006

PhD, Associate Professor, Professor

Department of Applied Linguistics

References

Brewer, W. F., Lichtenstein, E. H. (1982). Stories are to entertain: A structural-affect theory of stories. Journal of Pragmatics, 6 (5-6), 473–486. doi: 10.1016/0378-2166(82)90021-2

Dove, G. (1989). Suspense in the Formula Story. Ohio: Bowling Green State University Popular Press, 137.

Lodge, D. (1992). The Art of Fiction: Illustrated from Classic and Modern Texts. Harmondsworth: Penguin, 240.

Vorderer, P., Wulff, H. J., Friedrichsen, M. (Eds.) (1996). Suspense: Conceptualizations, Theoretical Analyses, and Empirical Exporation. London: Routledge, 376. doi: 10.4324/9780203811252

Hoeken, H., van Vliet, M. (2000). Suspense, curiosity, and surprise: How discourse structure influences the affective and cognitive processing of a story. Poetics, 27 (4), 277–286. doi: 10.1016/s0304-422x(99)00021-2

De Wied, M. (1995). The role of temporal expectancies in the production of film suspense. Poetics, 23 (1-2), 107–123. doi: 10.1016/0304-422x(94)00007-s

Iwata, Y. (2008). Creating Suspense and Surprise in Short Literary Fiction: a Stylistic and Narratological. Birmingham, 287. Available at: http://etheses.bham.ac.uk/284/

Baroni, R., Revaz, F. (Eds.) (2015). Virtualities of Plot and the Dynamics of Rereading. Columbus: Ohio State University Press, 280.

Lehne, M., Koelsch, S. (2015). Toward a general psychological model of tension and suspense. Frontiers in Psychology, 6, 1–11. doi: 10.3389/fpsyg.2015.00079

Tan, E. (Ed.) (1995). Emotion and the Structure of Narrative Film: Film as an Emotion Machine. New Jersey: Mahwah, 296. doi: 10.4324/9780203812761

Published

2016-12-26

Issue

Section

Philology