DOI: https://doi.org/10.32461/2226-3209.4.2018.153079

THE SYNTHESIS OF ARTS IN THE GENRE OF OPERA-BALLET

Tetiana Kaznacheieva

Abstract


The purpose of the work is to research the interaction and historical role of the musical, choreographic and dramatic arts in the formation of a synthetic genre of opera-ballet. Consideration of the characteristic features of the synthesis of arts is based on the analysis of the samples of this genre and its embodiment in the modern cultural space. Methodology. Historical, comparative approaches and the method of interdisciplinary analysis have been applied, which enables us to determine the transformation of the interaction of musical, stage and dance components of the genre of opera-ballet. The scientific novelty of the study is to consider the genre of opera-ballet in terms of interspesific connections of musical, dance and dramatic arts. The use of the concept of a suite dance form deepens an idea of a generalization of the genesis and ways of development of this genre. Conclusions. The analysis of the significant samples of the opera-ballet shows that this particular genre represents a unique synthesis of arts, which enhances drama, deepens the character of the play and creates its new image integrity. The genre of opera-ballet gives an opportunity to expose the artistic interrelations of different artistic epochs in a new way. Successful modern performances testify to its relevance and vitality, as well as open future prospects for the contemporary development.


Keywords


synthesis; opera-ballet; suite dance form; comedy-ballet; tragedy-ballet; phantasmagoria.

Full Text:

PDF

References


Барна И. Если бы Гендель вел дневник. Пер. с венгерского В. Тогобицкого. Будапешт: Корвина, 1972. 275 с.

Бійо В. Інтерпретація опери-балету Ж.-Ф. Рамо «Галантні Індії» на сучасному етапі. Київське музико-знавство: зб. ст. НМАУ ім. П. І. Чайковського; КІМ ім. Р. М. Глієра. К., 2016. Вип. 54. С. 188–200.

Браудо Е. М. История музыки (сжатый очерк). 2-ое изд., испр. и доп. М.: Музгиз, 1935. 464 с.

Булычева А. В. Сады Армиды: Музыкальный театр французского барокко. М.: Аграф, 2004. 448 с.

Красовская В. М. Западноевропейский балетный театр: Очерки истории: От истоков до середины XVIII века. М.: Искусство, 1979. 295 с.

Малиньон Ж. Жан Филипп Рамо / пер. с фр. Д. Шен. Ленинград: Музыка, 1983. 124 с.

Скляр В. И снова панночка летает, и взглядом остановит Вий…Фаворит удачи: ЧМП РИА «GMM – пресс», 2014. Вип. 7 (52). С. 54–55.

Худеков С. Н. Искусство танца: История. Культура. Ритуал. М.: Эксмо, 2010. 544 с.

Ecorcheville J. De Lulli а Rameau 1690-1730 L'esthétique Musicale. Paris: Impressions Artistiques b.-Marcel Forfin & Cie. 1906. 172 p.

Grove G. Dictionary of Music and Musicians: in five volumes. New York-London: MACMILLAN & Co., Ltd. Vol. II. 1906. 796 p.

Kaznacheeva T. Drama functions of a dance in the West-European opera (from J. Peri to Ch. V. Gluck). Ві-сник Національної академії керівних кадрів культури і мистецтва: наук. журнал. К.: Міленіум, 2017. № 3. С. 98–102.

Barna, I. (1972). If Handel had a diary. Budapesht: Korvina [in Russian].

Biyo, V. (2016). Interpretation of opera-ballet J.-P. Ramo "Galant Indias" at the present stage. Kyivske muzykoznavstvo: zb. st. NMAU im. P. I. Chaikovskoho; KIM im. R. M. Hliiera, 54, 188–200 [in Ukrainian].

Braudo, E. M. (1935). History of music. Muzgiz [in Russian].

Bulyicheva, A. V. (2004). Gardens of Armida: Music of the French Baroque theatre. Moscow: Agraf [in Russian].

Krasovskaya, V. M. (1979). Western European Ballet Theater: Essays on History: From the Beginning to the Mid-18th Century. Moscow: Iskusstvo [in Russian].

Malinon, Zh. (1983). Jean Philippe Rameau. (D. Shen, Trans). Leningrad: Muzyika [in Russian].

Sklyar, V. (2014). Again Pannochka flies and Viy will stop looking...Favorit udachi: ChMP RIA «GMM – press», 7 (52), 54-55 [in Russian].

Hudekov, S. N. (2010). The art of dance: History. Culture. Ritual. Moscow: Eksmo [in Russian].

Ecorcheville, J. (1906). De Lulli а Rameau 1690-1730 L'esthétique Musicale. Paris: Impressions Artistiques b.-Marcel Forfin & Cie [in French].

Grove, G. (1906). Dictionary of Music and Musicians: in five volumes. Vol. II. New York-London: MACMILLAN & Co., Ltd. [in English].

Kaznacheeva, T. (2017). Drama functions of a dance in the West-European opera (from J. Peri to Ch. V. Gluck). Bulletin of the National Academy of Cultural and Arts Leaders, 3, 98-102 [in English].