THE ARCHETYPE OF THE FOOL/THE JESTER/THE WHACKY AND ITS ARTISTIC EMBODIMENT IN THE CHARACTERS – “OUTSIDERS” IN SERGEI DOVLATOV’S PROSE

Автор(и)

  • Alexander Petrenko
  • Svetlana Petrenko
  • Nina Orlova
  • Irina Fedotova
  • Almira Kazieva

DOI:

https://doi.org/10.32461/2226-3209.3.2018.173610

Анотація

Abstract. The article deals with the fiction by Sergey Dovlatov, the famous Russian-American writer and journalist of the last third of the 20th century. The main aim of the article is to show the influence of the Russian folklore on the formation of the leading type of characters in Dovlatov’s prose. The paper shows that this type, which received in criticism the name of “Dovlatov’s outsiders”, is the realization of the archetype of the fool/the jester/the whacky, widespread in Russian and world folklore, a kind of variation of the fairy-tale “hopeless hero”. On examples of
S. Dovlatov’s story “Pushkin Hills”, his collections of short stories “Ours” and “The Compromise”, the authors study not only the genesis of this type of characters but also their functions in the literary text, the impact on the content of works and readers’ perception. Much attention is attributed to the mechanisms of humor in Dovlatov’s texts. His characters are rebels and outlaws, whackies and jesters at the same time. They cannot “integrate” into the Soviet reality and destabilize it with their clownish behavior. The analysis of his prose shows that S. Dovlatov’s characters, and the humorous world in general, have an emphatically symbolic character. Therefore, the authors of the article, along with the traditional for the study of Dovlatov’s stories historical and genetic approach, involved mythological and structural- semiotic methods that contribute to the consideration of the symbolic nature of humor and its counter-sign function in the literary text.
Keywords: Sergei Dovlatov, humor, Russian prose of the 20th century, folklore, archetype, semiosphere, “outsiders”, good sense of humor, whacky, absurd.

Посилання

Aryev, A. (2003). Story of a Storyteller. Sergei Dovlatov. Collection in 4 volumes, 1. SPb, 5-32.

Attardo, S. (2001). Humorous texts: a semantic and pragmatic analysis. Berlin: Mouton de Gruyter.

Attardo, S. (2002), Humor and Irony in Interaction: from Mode Adoption to Failure of Detection. Say not to Say: New Perspecitives on Miscommunication. Amsterdam: IOS Press, 166-186.

Bakhtin, M. (1990). Francois Rabelais’s Work and Folk Culture of the Middle Ages and Renaissance. Moscow, 543.

Bakhtin, M.M. (1979). Word Creating Aesthetics: A Collection of Works. Moscow.

Bart, R. (1989). Selected Works: Semiotics. Poetics, 615.

Borev, Y. (1970). Humor. Moscow, 270.

Dobrozrakova, G.A. (2011). Sergey Dovlatov: Dialogue with Classics and Contemporaries. Samara, 172.

Docheva, K. (2004). Identification of the Character’s Personality in the Works by S. Dovlatov. Abstract of PhD Diss. Orel, 26.

Dovlatov, S. (2003). Collection in 4 volumes. SPb: Azbuka.

Dovlatov, S. Pushkin Hills. https://1000vampirenovels.com/pdf-novels/pushkin-hills-by-sergei-dovlatov-free

Fedotova, Y. (2006). S. Dovlatov’s Prose: Existential Consciousness, Poetics of the Absurd. Abstract of PhD Diss. Cherepovets, 22.

Fiene, D. M. (1984) Review of Sergei Dovlatov’s The Compromise. Tr. Anne Frydman. NY: Alfred A. Knopf. 1983. The Slavic and East European Journal, 4(28), 552−553.

Freudenberg, O. (1997). Poetics of Plot and Genre. Moscow, 445.

Gasparov, B. (1996). In Search of the “Other”: (French and Eastern European Semiotics at the turn of the 1970s). New Literary Review, 14. http://magazines.russ.ru/nlo/1996/14/gaspar1.html

Genis, A. (2002). Collection in 3 volumes. Moscow, 456.

Gluscevskij, D. (2017). Methodological Issues and Prospects of Semiotics of Humour. Sign Systems Studies. Vilnius University, 45(1/2), 137–151.

Goldenberg, A. (2007). Folklore and literary archetypes in poetics of N.V. Gogol. Abstract of PhD Diss. Volgograd, 40.

Likhachev, D., Panchenko, A., Ponyrko, N. (1984). Humor in Ancient Russia. Leningrad, 295.

Lotman, Y.M. (1970). Typology of Culture. Tartu.

Lotman, Y.M. (2000). Semiosphere. SPb, 704.

Lotman, Y.M. (2002). History and Typology of the Russian Culture. SPb, 768.

Lundquist, S.E. (1991). The Trickster: A Transformation Archetype (Distinguished Dissertations Series).

Mann, Y. (1995). Carnival and its surroundings. Moscow: Studies in Literature, 1, 154-182.

Meerzon, Y. (2016). To the Poetics of Neighbourhood in Sergei Dovlatov’s Émigré Writings. https://docplayer.net/74778798-Yana-meerzon-to-the-poetics-of-neighbourhood-in-sergei-dovlatov-s-emigre- writings-i.html

Meletinski, Y. (1958). The Character of a Fairy Tale. Moscow, 237.

Meletinski, Y. (1994). On Literary Archetypes. Moscow, 135.

Morris, Ch.W. (2001). Foundations of the Theory of Signs. Semiotika: Antologiya. Moscow, 45-98.

Motygina, J. (2001). S. Dovlatov: Creative Individuality,

Evolution of Poetics. Abstract of PhD Diss. Volgograd, 18.

Orlova, N.A., Petrenko A.Ph. (2011). Semiotic and Folklore Models of S.D. Dovlatov’s Humorous World. Pyatigorsk.

Pakhomova, N. (2001). Marginal voices: Sergei Dovlatov and his characters in the context of Leningrad literature of the 1960s and 70s. A thesis. Montreal, McGill University, 178.

Plotnikova, A. (2008). Traditions of Russian Classical Literature in S.D. Dovlatov’s work. Abstract of PhD Diss. Moscow, 21.

Pushkar, O. (2018). Metonymy as Semantic Mechanism of Creation Language Game in Dovlatov’s Creativity. Linguistic Studies, 35, 126-129.

Raskin, V. (1985). Semantic Mechanisms of Humor. Dordrecht: Reidel.

Ryan-Hayes, K.L. (1995). Contemporary Russian Satire: A Genre Study. Cambridge University Press.

Ryumina, M. (2003). Aesthetics of Humor. Humor as Virtual Reality. Moscow, 320.

Salmon, L. (2008). Mechanisms of Humor. On Sergei Dovlatov’s Work. Moscow, 256.

Stepanov, Y.V. (2009). In three-dimensional language space. Semiotic problems of linguistics, philosophy, art. Moscow.

Sukhikh, I. (1996). Sergei Dovlatov: Time, Place, Fate. SPb, 384.

Trubetskoy, E. (1990). Another Kingdom and Its Seekers in the Russian Folk Tale. Literature Study, 2, 100-118.

Vlasova, Y. (2001). Genre Originality of S. Dovlatov's Prose. Abstract of PhD Diss. Moscow, 24.

Vygon, N. (2000). Modern Russian Philosophical and Humorous Prose: the Problem of Genesis and Poetics. Abstract of PhD Diss. Moscow, 44.

Vygon, N. (2008). Folklore Sources of Humorous Attitude in the Russian Prose of the 20th Century. A Laughing Man. Moscow, 290-300.

Young, J. (2012). Sergei Dovlatov and His Narrative Masks (Studies in Russian Literature and Theory). Northwestern University Press, 275.

Yung, K. (1991). Archetype and Symbol. Moscow, 304.

##submission.downloads##

Номер

Розділ

Мистецтвознавство