THE SYNTHESIS OF ARTS IN THE GENRE OF OPERA-BALLET
DOI:
https://doi.org/10.32461/2226-3209.4.2018.153079Keywords:
synthesis, opera-ballet, suite dance form, comedy-ballet, tragedy-ballet, phantasmagoria.Abstract
The purpose of the work is to research the interaction and historical role of the musical, choreographic and dramatic arts in the formation of a synthetic genre of opera-ballet. Consideration of the characteristic features of the synthesis of arts is based on the analysis of the samples of this genre and its embodiment in the modern cultural space. Methodology. Historical, comparative approaches and the method of interdisciplinary analysis have been applied, which enables us to determine the transformation of the interaction of musical, stage and dance components of the genre of opera-ballet. The scientific novelty of the study is to consider the genre of opera-ballet in terms of interspesific connections of musical, dance and dramatic arts. The use of the concept of a suite dance form deepens an idea of a generalization of the genesis and ways of development of this genre. Conclusions. The analysis of the significant samples of the opera-ballet shows that this particular genre represents a unique synthesis of arts, which enhances drama, deepens the character of the play and creates its new image integrity. The genre of opera-ballet gives an opportunity to expose the artistic interrelations of different artistic epochs in a new way. Successful modern performances testify to its relevance and vitality, as well as open future prospects for the contemporary development.
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