On the national style factors in the cultural space

Abstract

The article is devoted to the important problem of the present, which is actualizes question about research cultural formations that characterize the global cultural space. Issues related to the definition of relevance such as culture, notions of national style factors, methods of their formation within a coherent culture that promotes a gradual sequential consideration of past, not only in the general sense of culture, but also in art.

This paper focuses on the features of the role and value of art as an important form of national and stylistic expression. It is proved that art, in its various genre forms as universal integrating different genre and style artisticintentions synthetic form, is a kind of mirror of semantic units of culture as somehow always solves the problem of national choice as a general and a unified for this type of historical culture.

In view of the object of study in the paper we study the problem of correlation of national identity with the style of culture which according to the author has a bright expression in artistic genre forms. According to the author, the most complete form allows you to define national style settings of cultural and historical phenomenon. This paper describes the scientific approach to the study of the subject of the phenomenon. In particular, the article stated that the characteristics of the formation of national identity not illuminated in national scientific thought.

This fragmentary coverage based on studies of Anglo-American scholars.

Summarizing the various approaches to the definition of national style, the author emphasizes the relevance of gender to further studies and links this need with a range of features, such as historical, evolutionary, and so on.

According to the author, the formation of national identity depends on the person how to perform this process, the role of the creator of "lifestyle." Nature of style so due to the constant dualism of society and the individual, it is limited by the accumulated ethnocultural experiences and open from the personal consciousness. Every style within a coherent culture is incomplete semantic configuration, since in addition to its previously mentioned factors, there is also a requirement of the historical dialogue – the ability to be incorporated into the general cultural and historical experience.

In view of purpose of the study, the article focuses on the features of the role and importance of musical culture in formation national identity. Analyzing the value of the last, author argues that domestic musicology has not agreedcriteria for assessment of the phenomenon, the more common ways to systematize the musical and cultural factors.

The article convincingly argues that in most cases the cultural representation of musicologists (if it is a type of culture) reflect the historical, chronological framework is defined and linear procedural sequence of musical "events" and the facts. There are representations with respect to these types of musical culture, both ancient (old), medieval, renaissance, baroque, classical and similar, which are subordinate to the logic of musical and stylistic change process chronological formations. This position has allowed the author to identify the relation of style factors in general historical music mechanisms evolution of art and culture in general.

The author emphasizes the crucial role of art in the specific phenomenon "style of the era" as "style of culture." Justifying the historical conditioning of musical creativity the author defines their own idea of national identity, which in many cases claimed to be the style of culture, identifies it with the preferred stylistic direction of the latter.

The paper proved that the latest style of the culture combines in certain unity, which in its turn, causes a complex interaction of various factors, socio-historical and subjective artistic integrity corresponding to a single paradigm (universals) time, space, and case laws .

In view of research object, the author refers to the study of the meaning and role of the canon. Analyzing the phenomenon of the canon, the author argues that because canon (canonical sphere) opens the genre and style of interaction at different levels. Canon just shows the principle of repetition, while pointing out various compositionalpossibilities of repetition – from the formation of the stylistic features of the text to the dominance of a certain aesthetic ideas. Particularly important as semantic typology canon factor is in the process of explaining modern style trends that emerge at the turn of-XXI centuries and are crucial for the modern age.

To clarify it the author refers to the "canonical" models at the level of shapes, text, genre, individual style. To better study the author stresses the need to appeal to a broader generalizations – in connection with the semantic features of the primary and secondary systems of genre in the culture of their being introduced into specific forms of expression.

In conclusion the author emphasizes the importance of national style in the process of developing cultural and artistic fields. The study allowed the author identify on specific cultural identity destination category national, emphasize the cultural features of the genre.